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Blondie: Heart Of Glass - on American Bandstand - May 12, 1979 (My "Stereo Studio Sound" Re-Edit) w/Dick Clark Interview. "Heart of Glass" is a song by the American new wave band Blondie, written by singer Debbie Harry and guitarist Chris Stein. It was featured on the band's third studio album, Parallel Lines (1978), and was released as the album's third single in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom. In December 2004, Rolling Stone ranked the song number 255 on its list of the 500 greatest songs of all time.[3] It was ranked at number 259 when the list was updated in April 2010 and at number 138 in their 2021 update. Slant Magazine placed it at number 42 on their list of the greatest dance songs of all time and Pitchfork named it the 18th best song of the 1970s. Billboard magazine ranked "Heart of Glass" number 47 in their list of 500 best pop songs of all time in 2023. "Heart of Glass" ranked at number 66 in the UK's official list of biggest selling singles of all-time, with sales of 1.32 million copies. It was inducted into the Grammy Hall of Fame as a recording of "qualitative or historical significance" in 2015. Harry herself stated that "Heart of Glass" was, along with "Rapture," the song she was proudest of having written. Harry and Stein sold their future royalties to the song, and the rest of Blondie's catalog, to Hipgnosis Songs Fund, in 2020.

America: You Can Do Magic - on American Bandstand - December 11, 1982 (My "Stereo Studio Sound" Re-Edit) w/Dick Clark Interview. "You Can Do Magic" is a song by singer-songwriter Russ Ballard that was recorded as a 1982 single by folk rock duo America from their album View from the Ground. The song was one of two Ballard compositions on View from the Ground, the other being "Jody". Ballard wrote both songs specifically for America at the behest of Rupert Perry, A&R vice president for Capitol Records. Ballard also produced the tracks marking a return to record production after a four-year hiatus; although Ballard had earlier hits as a songwriter, "You Can Do Magic" was his first major hit credit as a producer. "You Can Do Magic" proved a solid comeback vehicle for America whose last Top 40 hit—"Today's the Day"—had occurred in 1976; the second of two subsequent appearances on the Hot 100 was in 1979. "You Can Do Magic" returned America to the Top 40 in August 1982 with the track reaching No. 8 that October, and holding that position for five weeks. The popularity of "You Can Do Magic" was paralleled by the success of the parent View From the Ground album which rose to No. 41 on Billboard's listing of the top 200 albums, the first time an album by America as a duo (rather than the original trio) had appeared in that chart's upper half.

"Heaven Is a Place on Earth" is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song. The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's "I Wanna Dance with Somebody (Who Loves Me)". In 2017, ShortList's Dave Fawbert listed the song as containing "one of the greatest key changes in music history". Carlisle's backup vocalists on the song include songwriters Nowels and Shipley as well as Michelle Phillips of The Mamas & the Papas, Chynna Phillips of Wilson Phillips, and songwriter Diane Warren. It also features Thomas Dolby on synthesizers. The promotional music video for the song was directed by actress Diane Keaton and includes an appearance by Carlisle's husband Morgan Mason.[9] It features children wearing black masks and capes, and holding illuminated plastic globes. Carlisle appears wearing a strapless dress and later changes to a black off-the-shoulder blouse. The video was partially filmed at Six Flags Magic Mountain theme park in Valencia, California (now Santa Clarita, California), on the now-defunct Spin Out.

Belinda Carlisle: I Get Weak Top 40 Breaker Clip - Top Of The Pops - March 3, 1988 (My "Stereo Studio Sound" Re-Edit) "I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart. After completing the song, songwriter Diane Warren "initially: had Stevie Nicks in mind – a suggestion she made to producer Rick Nowels, who felt it would be a better fit for Carlisle. The accompanying music video for the song features a combination of color and black-and-white shots in the same frames. It was directed by actress Diane Keaton (who also directed her previous "Heaven Is a Place on Earth" video), and featured model and actor Tony Ward, who later appeared in Madonna's video for "Justify My Love".

Whitney Houston: You Give Good Love - on Merv Griffin (1985) (My "Stereo Studio Sound" Re-Edit) "You Give Good Love" is the debut solo single by American singer Whitney Houston for her 1985 eponymous debut studio album. It was written by La Forrest 'La La' Cope and produced by Kashif. When La La sent Kashif a copy of the song, originally offered to Roberta Flack, she thought it would be a better fit for Houston and told Arista Records he would be interested in recording with her.The song was released on February 22, 1985 as the album's lead single. The release of "You Give Good Love" was designed to give Houston a noticeable position and standing within the black music market first, which topped the US Billboard Hot Black Singles chart. However, it also made an unexpected crossover pop hit, peaking at number three on the Billboard Hot 100 chart, her first of what would be many Top 10 hits. It was later certified platinum by the Recording Industry Association of America (RIAA). The single was released officially in some countries such as Australia, Canada, Japan, New Zealand and United Kingdom, but failed to make the top 40 in the countries except Canada, where it reached the top ten. The song won Favorite Soul/R&B Single at the 13th American Music Awards, and was nominated for Best R&B Song and Best Female R&B Vocal Performance at the 28th Grammy Awards in 1986. "You Give Good Love" brought Houston a bit of notoriety when it turned up among several songs cited by advice columnist Ann Landers as having suggestive titles. Landers, in her column for a reader who worried about the bad influence of song lyrics on children, wrote that "Some of the lyrics are sexually provocative. The titles tell the story," and called the song "pretty trashy stuff", citing the song's title as an instance along with "Hot Love" by Cheap Trick, "Let's Go to Bed" by The Cure, "Ready, Willing and Able" by Lita Ford, "You Shook Me All Night Long" and "Love at First Feel" by AC/DC, "Tease Me" by Junie Morrison, and "Fire Down Below" by Bob Seger.Houston, in an interview with the Chicago Tribune, gave some answers to Landers's comments, saying "She chose a few songs out of the Top 40 that she thought had suggestive titles as far as she was concerned, and it was one of them. I don't think that the title is suggestive at all. It didn't say anything but 'you give good love,' and it didn't say anything in the song that was sexual or outrageous. I think that Miss Landers just looked at the title and didn't view the song itself."Houston, who described herself as a religious person, said that she hasn't given much thought to the controversy over questionable lyrics: "The songs that I sing don't fall into that category, so I don't think about it at all. But I believe that music does influence people. It's a universal thing. Everybody listens to music and knows about it. I think that the lyrics can have a lot to do with influencing whoever you're singing to. I think that as far as children are concerned, parents should have control over what they listen to. If they don't want them to listen to records that are very sexual or explicit or outrageous, they should have control over that situation. As for adults, they're going to buy whatever kind of music they want to hear, so if they buy music with explicit lyrics, they must like it."

Whitney Houston: Saving All My Love for You (Live on The Wogan Show in The U.K. 1985) (My "Stereo Studio Sound" Re-Edit) "Saving All My Love for You" is a song written by Michael Masser and Gerry Goffin, originally recorded by Marilyn McCoo and Billy Davis Jr. for their album Marilyn & Billy (1978). American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. The following article talks about this version. Houston's version of "Saving All My Love for You" garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for Houston, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, staying there for one week, and is certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance. The song caused controversy due to its theme of having an affair with a married man. Houston's mother, Cissy Houston, did not at all like the scenario described in the lyrics, claiming that the song's message would reflect badly on her daughter. However, Whitney herself confessed, “I was going through a terrible love affair. He was married, and that will never work out for anybody. Never, no way.”

The Go Go's: We Got The Beat - on American Bandstand – January 23, 1982 (My "Stereo Studio Sound" Re-Edit) "We Got the Beat" is a song by the American rock band the Go-Go's, written by the group's lead guitarist and keyboardist Charlotte Caffey. The band first recorded the song in 1980 for a single on UK-based Stiff Records, and later rerecorded it for their debut album Beauty and the Beat on I.R.S. Records. The initial single release brought the Go-Go's underground credibility during their first UK tour and in the band's hometown of Los Angeles. The first version reached No. 35 on the U.S. Hot Dance Club Play chart due to its popularity in clubs as an import, and the second version was a top 10 hit in both the United States and Canada. It is considered a new wave classic hit, as well as being the Go-Go's' signature song. The song was named one of "The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll". "We Got the Beat" evolved in part out of the Go-Go's covering the Smokey Robinson song that served as the group's namesake: The Miracles' "Going to a Go Go" (1965). Taking inspiration from that, and from the opening theme of The Twilight Zone, lead guitarist Charlotte Caffey wrote "We Got the Beat" and offered it to the band with hesitation, afraid that it would not be punk enough for the other members' tastes. When the rest of the Go-Go's heard the song, they loved it – and its incorporation into their set marked a stylistic change for the group as they moved away from punk rock and toward a more pop sensibility that would align the Go-Go's in with the music that was being termed "new wave". Go-Go's manager Ginger Canzoneri secured a deal with British indie label Stiff Records to release the original version of "We Got the Beat" as a single, in support of the band's 1980 UK tour with Madness and the Specials. In the 2020 documentary The Go-Go's, Canzoneri recalled that Stiff Records had also wanted to secure publishing rights for "We Got the Beat" and its B-side, "How Much More" (both produced by Paul L. Wexler), but she declined, thinking it was important for the band to hold the publishing rights to their own songs. After the tumultuous UK tour, the Go-Go's returned home to Los Angeles and packed clubs when they performed, due to the single's popularity – leading them to finally sign a deal with newly established I.R.S. Records. The band headed to New York City to record their debut album at Pennylane Studio, where producer Richard Gottehrer advised the group to slow their songs down. "We Got the Beat" remained an exception to this advice, though the band lengthened it slightly by adding a few bars to the song's instrumental intro. "We Got the Beat" led off the second side of the Go-Go's debut album, Beauty and the Beat, released in July 1981. It served as the album's second single in January 1982, now with another album track, "Can't Stop the World", on its B-side. Clocking in at 2+1⁄2 minutes, the second studio version of the song is recognizable by its drumming intro. The song's lyrics mention various early 1960s dances such as the Pony, the Watusi, and Go-Go dancing. The song's music video, filmed at a live performance at Palos Verdes High School in Los Angeles on December 4, 1981, received heavy airplay on MTV at the time. The Go-Go's performed the song, along with "Vacation" and "Our Lips Are Sealed", during the 2021 Rock and Roll Hall of Fame Induction Ceremony.

The Go Go's: Our Lips Are Sealed - on American Bandstand - January 23, 1982 (My "Stereo Studio Sound" Re-Edit) with Dick Clark interview. "Our Lips Are Sealed" is a song co-written by Jane Wiedlin, guitarist of the Go-Go's, and Terry Hall, singer of the Specials and Fun Boy Three.It was first recorded by the Go-Go's as the opening track on their album Beauty and the Beat (1981) and was their debut American single in June 1981. The single eventually reached the top 5 in Australia and Canada, and the top 20 in the United States. Originally written and performed with three verses, the song appears in an abbreviated version on Beauty and the Beat. Most of the song's vocals are performed by lead singer Belinda Carlisle, with co-writer Wiedlin singing the bridge.In 1983, Hall's band Fun Boy Three released their version of "Our Lips Are Sealed". Issued as a single, the track became a top-ten hit in the United Kingdom, besting the recording by the Go-Go's which only made it to No. 47 in the UK.Record World described the song as being as "innocent and infectious as pop music can be", with a "steady, pulsating dance beat" and "candy-coated keyboard riffs". In 2000, Rolling Stone & MTV put the Go-Go's' original version of "Our Lips Are Sealed" at No. 57 on a list of 100 Greatest Pop Songs. In 2021, their version was also listed at No. 477 on Rolling Stone's 500 Greatest Songs of All Time. The Go-Go's performed the song, along with "Vacation" and "We Got the Beat", during the 2021 Rock and Roll Hall of Fame Induction Ceremony. The official music video for the song features sequences of the band members in carefree tableaux (riding around LA in a 1960 Buick convertible, stopping at a lingerie shop, and splashing around in a fountain) interspersed with footage of the band playing at a club. Jane Wiedlin says the band was initially unenthusiastic when Miles Copeland, president of their label, I.R.S. Records, told them they would be doing the video. "We were totally bratty", she recalls. The video was financed with unused funds from the Police's video budget. The group wanted an older-style convertible, and found a red 1960 Buick LeSabre at Rent-a-Wreck.[citation needed] After riding around Beverly Hills, at some point, they stop at the famous Trashy Lingerie store located at La Cienega Blvd. The girls go into the shop, but Jane Wiedlin remains in the car to sing the bridge of the song (although Carlisle can be seen in the driver's seat trying to hide). The day of shooting was very hot so it was the band's idea to end the video by jumping into the fountain on the corner of Wilshire and Santa Monica. Wiedlin later said "I thought, at any minute the cops are gonna come. This is gonna be so cool." Wiedlin looks back on the video experience fondly. "I have horrible '80s poodle hair in it", she recalled in a 2011 history of MTV. "But there's a simplicity and innocence to the video that appeals to me." The music video received heavy airplay on the then fledgling MTV. The original version peaked at number 20 on the Billboard Hot 100 chart, and 15 on the Billboard Top Rock Tracks chart. On the dance chart, the song peaked at number 10. A song of unusual longevity as a hit, it remained on the Billboard charts until March 1982, long after its peak, ultimately charting for 30 weeks.

Rick Springfield: Jessie's Girl - on American Bandstand - May 23, 1981 (My "Stereo Studio Sound" Re-Edit) with Dick Clark interview. "Jessie's Girl" is a song written and performed by Australian singer Rick Springfield. It was released on the album Working Class Dog, which was released in February 1981. The song is about unrequited love and centers on a young man in love with his best friend's girlfriend.Upon its release in the United States in 1981, "Jessie's Girl" was slow to break out. It debuted on Billboard's Hot 100 chart on 28 March but took 19 weeks to hit No. 1 reaching that position on 1 August, one of the slowest climbs to No. 1 at that time. It remained in that position for two weeks and would be Springfield's only No. 1 hit. The song was at No. 1 when MTV launched on August 1, 1981. The song ultimately spent 32 weeks on the chart. Billboard ranked it as No. 5 for all of 1981.The song also peaked at No. 1 in Springfield's native Australia and later won him a Grammy Award for Best Male Rock Vocal Performance."Jessie's Girl" was released in the United Kingdom in March 1984 and peaked at No. 43 on the UK Singles Chart in April 1984.Record World said that "a strong rhythm guitar fuels the pop-rocker while Rick's determined vocal works the hook."Springfield recorded an acoustic version of the song for his 1999 album, Karma. Springfield was taking a stained glass class. Also in the class were a friend of his named Gary and Gary's girlfriend. Springfield initially wanted to use the actual name of his friend, but instead decided to go with a different name. He chose "Jessie" because he was wearing a T-shirt with the name of football player Ron Jessie on it. Springfield says that he does not remember the name of the girlfriend, and he believes that the real woman who inspired the song has no idea that she was "Jessie's Girl." He told Oprah Winfrey, "I was never really introduced to her. It was always just, like, panting from afar." Springfield told Songfacts that Oprah's people tried to find her, and they got as far back as finding out that the teacher of the class had died two years previously and that his class records were thrown out one year after his death. In 2006, the song was named No. 20 on VH1's "100 Greatest Songs of the 80s".

Franke & The Knockouts: Sweetheart - on American Bandstand - May 16,81 (My "Stereo Studio Sound" Re-Edit) with Dick Clark interview. "Sweetheart" is the debut single by Franke and the Knockouts. It is their greatest hit, reaching the U.S. top 10 during the spring of 1981. The song is from their self-titled debut album, also released that year. The song was the group's first of three U.S. top 40 hits, the others being "You're My Girl" (#27) and "Without You (Not Another Lonely Night)" (#24). It spent 19 weeks on the charts and is ranked as the 50th biggest hit of 1981. "Sweetheart" also charted moderately on both the U.S. Adult Contemporary and Mainstream Rock charts. Internationally, "Sweetheart" charted in Canada at No. 18 and in Australia at No. 63.

The Romantics - What I Like About You on American Bandstand - March 29, 1980 (My "Stereo Studio Sound" Re-Edit) with Dick Clark interview. "What I Like About You" is a song by American rock band the Romantics. Written by band members Wally Palmar, Mike Skill and Jimmy Marinos in 1979, the song is included on the band's self-titled debut album (1980), and was also released as a single in late 1979. Marinos, the band's drummer, is the lead vocalist on the song. The band filmed a music video for the song that appeared frequently on MTV during the early 1980s.

Ray, Goodman & Brown: Special Lady - on American Bandstand - March 29, 1980 (My "Stereo Studio Sound" Re-Edit) With Dick Clark Interview. "Special Lady" is a 1980 single by vocal trio Ray, Goodman & Brown, formerly known as The Moments. In the U.S., it was a number one R&B hit and reached number five on the Billboard Hot 100 in 1980. The single marked their first release under the name Ray, Goodman & Brown. The song was written by Harry Ray, Al Goodman and Lee Walter and produced by Vincent Castellano.

Ray, Goodman & Brown: Special Lady - on American Bandstand - March 29, 1980 (My "Stereo Studio Sound" Re-Edit) With Dick Clark Interview. For additional videos not available on my YouTube channel go to my channel; ilviolino on Rumble: https://rumble.com/c/c-2328184 "Special Lady" is a 1980 single by vocal trio Ray, Goodman & Brown, formerly known as The Moments. In the U.S., it was a number one R&B hit and reached number five on the Billboard Hot 100 in 1980. The single marked their first release under the name Ray, Goodman & Brown. The song was written by Harry Ray, Al Goodman and Lee Walter and produced by Vincent Castellano.

Pat Benatar: I Need A Lover - on American Bandstand - March 1, 1980 (My "Stereo Studio Sound" Re-Edit) "I Need a Lover" is the debut single by John Mellencamp, first released in 1978 under the stage name "Johnny Cougar". A music video for the song directed by David McMahon was released the same year, also being Mellencamp's first music video. The song was covered by Pat Benatar a year later and also had a hit with it. The song was covered and released as the debut single in 1979 by American rock singer Pat Benatar for her debut studio album, In the Heat of the Night (1979). The song became an album-oriented rock radio hit for the singer and has been part of the live set list on tour. Chrysalis Records released a live music video for the song, released in 1981.

Pat Benatar: Heartbreaker - on American Bandstand - March 1, 1980 (My "Stereo Studio Sound" Re-Edit) With Dick Clark Interview. "Heartbreaker" is a song by American singer Pat Benatar from her debut studio album In the Heat of the Night (1979). Written and composed by Geoff Gill and Cliff Wade, the song had first been recorded by English singer Jenny Darren on her 1978 album Queen of Fools, and Benatar adjusted the original lyrics, as such references as "A to Zed" and "moonraker" would have likely confused American listeners. "Heartbreaker" was the second single released off In the Heat of the Night after the first, "If You Think You Know How to Love Me", failed to reach the US Billboard Hot 100. A sleeper hit, "Heartbreaker" proved to be Benatar's breakthrough single, reaching number 23 on the U.S Billboard Hot 100 while spending four and a half months on the chart, the fourth longest of all of her singles. It was more popular on album-oriented rock stations as it peaked at number 13 on Tunecasters Rock Tracks chart in March 1980. The song peaked at number 16 in Canada and at number 14 in New Zealand, although it only reached number 95 in Australia. The song was named the 72nd best hard rock song of all time by VH1.

Bon Jovi: Runaway - Their 'First Network Television Appearance' on American Bandstand - April 28, 1984 (My "Stereo Studio Sound" Re-Edit) With Dick Clark Interview. "Runaway" is the debut single by American rock band Bon Jovi. It was originally recorded in 1981 for the so-called "Power Station Demos" at the beginning of singer Jon Bon Jovi's career, featuring the vocalist backed by session musicians.The song became a surprise hit in 1983 on WAPP-FM (now WKTU), leading to the formation of the first proper lineup of Bon Jovi for a short tour. The track was recorded in 1982 at the Power Station recording studio, and released to radio in 1983. Jon Bon Jovi chose studio musicians who were recording with other artists using the studio at the time—these musicians became known as "The All Star Revue", which included: bassist Hugh McDonald (who would join Bon Jovi in 1994 as an unofficial member); guitarist Tim Pierce (who was working on a John Waite record with producer Neil Giraldo); drummer Frankie LaRocka; and keyboardist Roy Bittan. The keyboard intro was written by Mick Seeley—then of John Bongiovi and the Wild Ones and later with Southside Johnny and the Asbury Jukes—who also performed backing vocals on the track with David Grahmme. In 1983, local radio station WAPP 103.5FM "The Apple" had a contest, held in conjunction with St. John's University, to search for the best unsigned band. After the song won the contest, it became a radio hit in the summer of 1983. "Runaway" became the first single from the band's self-titled debut album. It hit the Top 40 on the Billboard Hot 100 at #39 in early 1984 and became the band's first Top 40 hit in the US.

Scandal featuring Patty Smyth: The Warrior - on American Bandstand September 8, 1984 (My "Stereo Studio Sound" Re-Edit) With Dick Clark Interview. "The Warrior" is a song by American rock band Scandal featuring Patty Smyth, from the album Warrior, written by Holly Knight and Nick Gilder. The song went to number seven in the United States and number one in Canada, as well as number one on the US Rock Top Tracks chart, and won a BMI Airplay Award in 1984. It was also a hit in Australia, where it peaked at number six, and in New Zealand and South Africa, peaking in both countries at number 11. The music video for the song was directed by David Hahn. Co-writer Holly Knight said, "I think that idea of being a warrior had been inside me for a long time. I grew up in a somewhat ‘dysfunctional’ family where there was a lot of drama and fighting. I was always more interested in fighting FOR something rather than fighting with someone, and without being cognizant of it, it was a constant theme in my psyche, and hence, my songs."

Dr. Hook: When You're In Love With A Beautiful Woman - on American Bandstand - April 25, 1981 w/ Interview by Dick Clark (My "Stereo Studio Sound" Re-Edit) "When You're in Love with a Beautiful Woman" is an internationally successful single by Dr. Hook. It was recorded at Muscle Shoals Sound Studio, Alabama.Written by Even Stevens, who followed producer Ron Haffkine into the studio bathroom to pitch him the song, "When You're in Love with a Beautiful Woman" which first appeared on the band's 1978 album Pleasure and Pain. Riding the disco wave in 1979 it belatedly became an international hit, reaching number six on the Billboard Hot 100 singles chart in the USA and doing even better in the UK where it spent three weeks at number one in the UK Singles Chart in November 1979. The song was subsequently added to the band's 1979 album Sometimes You Win.

Julian Lennon: Too Late for Goodbyes - on American Bandstand December 29, 1984 (My "Stereo Studio Sound" Re-Edit) "Too Late for Goodbyes" is the first single (second in the US) from Julian Lennon's debut studio album Valotte (1984). It featured the harmonica of Jean "Toots" Thielemans, and it was a top-10 hit, reaching No. 6 in the UK Singles Chart in November 1984, and No. 5 on the Billboard Hot 100 singles chart in late March 1985. B-side "Big Mama" has been described by Lennon as "semi-hard rock". Cash Box said that "a galloping reggae backbeat and some exquisite Muscle Shoals guitar work back up Lennon’s spare lyric phrasing and lend the song a strong ride." "Too Late for Goodbyes" peaked at #1 on March 16, 1985 at the US Adult Contemporary chart, spending two weeks at the top of this chart. The music video for the song was directed by Sam Peckinpah, and produced by Martin Lewis. To date, it is the most successful song of Lennon's career.

Sheena Easton: You Could Have Been With Me - on American Bandstand March 13, 1982 (My "Stereo Studio Sound" Re-Edit) You Could Have Been with Me is the second studio album by the Scottish singer Sheena Easton. It was released on September 21, 1981 by EMI. The album reached number 33 on the UK Albums Chart and has been certified silver by the British Phonographic Industry (BPI). In the United States, it peaked at number 47 on the Billboard 200 and was eventually certified gold by the Recording Industry Association of America (RIAA). The title track was the best-performing single from the album, reaching number 15 on the US Billboard Hot 100 and number 54 on the UK Singles Chart. In the United Kingdom, the lead single, "Just Another Broken Heart", peaked at number 33, while third single "A Little Tenderness" failed to chart in early 1982. In the US, a track from her first album was included, "When He Shines", which was released as a single and peaked at number 30. You Could Have Been With Me became a top-10 album in Japan, following the use of the track "A Little Tenderness" in a television advertising campaign for Noevir Cosmetics. The album also reached number two in Sweden and number seven in Norway. A CD reissue in 2000 added the track "For Your Eyes Only" (number four in the US and number eight in the UK), one of Easton's most successful singles. On February23, 2013, British record label Edsel Records reissued Easton's You Could Have Been with Me and Madness, Money & Music in two-disc packages remastered with bonus tracks. On November 24, 2014, the album was included in an Original Album Series box set in the UK with all of her first five albums with EMI through Warner Music Group.

The Beatles: Can't Buy Me Love on Ready, Steady, Go! on London, March 20, 1964 (My "Stereo Studio Sound" Re-Edit) "Can't Buy Me Love" is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Canada, Australia, Ireland, New Zealand, South Africa, the Netherlands, France and Sweden. In the UK, it was the fourth highest selling single of the 1960s. While in Paris, the Beatles stayed at the five-star George V hotel and had an upright piano moved into one of their suites so that songwriting could continue. It was here that McCartney wrote "Can't Buy Me Love". The song was written under the pressure of the success achieved by "I Want to Hold Your Hand", which had just reached number one in America. When producer George Martin first heard "Can't Buy Me Love", he felt that the song needed changing: "I thought that we really needed a tag for the song's ending, and a tag for the beginning; a kind of intro. So I took the first two lines of the chorus and changed the ending, and said 'Let's just have these lines, and by altering the second phrase we can get back into the verse pretty quickly.'" And they said: "That's not a bad idea, we'll do it that way". The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material. When pressed by American journalists in 1966 to reveal the song's "true" meaning, McCartney stated: "I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line." He went on to say: "The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want." However, he was to comment later: "It should have been 'Can Buy Me Love'" when reflecting on the perks that money and fame had brought him.

Brenton Wood: The Oogum Boogum Song - on American Bandstand September 09,1967 (My "Stereo Studio Sound" Re-Edit) "The Oogum Boogum Song" was originally performed by Brenton Wood. It was released in 1967 on the album Oogum Boogum. It was written by Wood (under his real name, Alfred Smith). The song peaked at number 34 in the US Billboard Hot 100 chart and number 19 R&B. It was also a hit on the Canadian R&B chart, where it reached number. "The Oogum Boogum Song" ends the film Devil's Due and is featured on the soundtrack of the 2018 movie, Love, Simon and the 2000 movie, Almost Famous. It is also featured in the 2022 movies Don't Worry Darling and The Gray Man. In television, the song appears in season 3, episode 7 of Sex Education, Season 3, episode 2 of The Umbrella Academy, in Season 1, Episode 3, "Replay," of Jordan Peele's Twilight Zone, in the 2023 Netflix film "Reptile" it is featured as lead character Tom Nichols' ring tone and recently used in the Apple Watch Commercial .

Brenton Wood: The Oogum Boogum Song - on American Bandstand September 09,1967 (My "Stereo Studio Sound" Re-Edit) For additional videos not available on my YouTube channel go to my channel; ilviolino on Rumble: https://rumble.com/c/c-2328184 "The Oogum Boogum Song" was originally performed by Brenton Wood. It was released in 1967 on the album Oogum Boogum. It was written by Wood (under his real name, Alfred Smith). The song peaked at number 34 in the US Billboard Hot 100 chart and number 19 R&B. It was also a hit on the Canadian R&B chart, where it reached number. "The Oogum Boogum Song" ends the film Devil's Due and is featured on the soundtrack of the 2018 movie, Love, Simon and the 2000 movie, Almost Famous. It is also featured in the 2022 movies Don't Worry Darling and The Gray Man. In television, the song appears in season 3, episode 7 of Sex Education, Season 3, episode 2 of The Umbrella Academy, in Season 1, Episode 3, "Replay," of Jordan Peele's Twilight Zone, in the 2023 Netflix film "Reptile" it is featured as lead character Tom Nichols' ring tone and recently used in the Apple Watch Commercial .

The Beatles: You Can't do That on Ready, Steady, Go! - London, March 20, 1964 (My "Stereo Studio Sound" Re-Edit) "You Can't Do That" is a song written by John Lennon (credited to Lennon–McCartney) and released by the English rock band the Beatles as the B-side of their sixth British single "Can't Buy Me Love". It was later released on their third UK album A Hard Day's Night (1964). A live rendition of the song was released on the 2016 re-release of The Beatles at the Hollywood Bowl.

The Beatles - It Won't Be Long on Ready, Steady, Go! London – March 20,1964 (My "Stereo Studio Sound" Re-Edit) "It Won't Be Long" is a song by the English rock band the Beatles, released as the opening track on their second UK album With the Beatles (1963), and was the first original song recorded for it. Although credited to Lennon–McCartney, it was primarily a composition by John Lennon, with Paul McCartney assisting with the lyrics and arrangement. The Beatles recorded this song on July 30, 1963 in two sessions. The first session was in the morning, where they recorded 10 takes. The second session was in the afternoon, where they recorded seven more takes. The final product was a combination of takes 17 and 21, put together on August 21. The original release in the UK was on With the Beatles, November 22, 1963. In the US, "It Won't Be Long" first appeared on Meet the Beatles!, released January 20, 1964. The song was never performed live or at any of the group's BBC sessions, although they did lip-synch to the track on an edition of Ready Steady Go! in March 1964.