BitchesBrew

1 - Custard Pie 0:00 2 - The Rover 04:15 3 - In My Time Of Dying 09:54 4 - Houses Of The Holy 21:03 5 - Trampled Under Foot 25:08 6 - Kashmir 30:44 7 - In The Light 39:22 8 - Bron-Yr-Aur 48:10 9 - Down By The Seaside 50:16 10 - Ten Years Gone 55:32 11 - Night Flight 1:02:07 12 - The Wanton Song 1:05:45 13 - Boogie With Stu 1:09:53 14 - Black Country Woman 1:13:46 15 - Sick Again 1:18:11

1. "Pharaoh's Dance" - 0:00 2. "Bitches Brew" - 20:05 3. "Spanish Key" - 47:04 4. "John McLaughlin" - 01:04:38 5. "Miles Runs the Voodoo Down" - 01:09:06 6. "Sanctuary" - 01:23:09 7. "Feio" (bonus) - 01:34:02

1. Meeting of the Spirits 00:00 2. Dawn 06:52 3. The Noonward Race 12:04 4. A Lotus On Irish Streams 18:33 5. Vital Transformation 24:15 6. The Dance of Maya 30:33 7. You Know You Know 37:51 8. Awakening 43:00 1998 Remixed and Remastered Guitar – John McLaughlin Drums – Billy Cobham Bass – Rick Laird Piano – Jan Hammer Violin – Jerry Goodman

00:00 Don't Eat the Yellow Snow 2:06 Nanook Rubs It 6:43 St. Alphonzo's Pancake Breakfast 8:35 Father O'Blivion 10:53 Cosmik Debris 15:13 Excentrifugal Forz 16:46 Apostrophe' 22:37 Uncle Remus 25:25 Stink-Foot Frank Zappa – vocals, guitar, bass, bouzouki Sal Marquez – trumpet Ian Underwood – saxophone Napoleon Murphy Brock – saxophone Bruce Fowler – trombone Tom Fowler - bass guitar Don "Sugarcane" Harris – violin Jean-Luc Ponty – violin Ruth Underwood – percussion, vibraphone George Duke – keyboards Tony Duran – rhythm guitar Harper May – bass guitar Erroneous (Alex Dmochowski) – bass guitar Jack Bruce – bass on "Apostrophe'" (see controversy presented above) Ralph Humphrey – drums (side one) Johnny Guerin – drums on "Excentrifugal Forz" Aynsley Dunbar – drums on "Uncle Remus" and "Stink-Foot" Jim Gordon – drums on "Apostrophe" Back-up vocals Lynn (Linda Sims) Robert "Frog" Camarena Ruben Ladron de Guevara Debbie (Debbie Wilson) Ray Collins Sue Glover Kerry McNabb George Duke Napoleon Murphy Brock Tina Turner (uncredited)

Jon Anderson – lead and backing vocals Steve Howe – electric and acoustic guitars, backing vocals Chris Squire – bass guitars, backing vocals, additional electric guitar Rick Wakeman – Hammond organ, grand piano, RMI 368 Electra-Piano and Harpsichord, Mellotron, Minimoog synthesiser Bill Bruford – drums, percussion

Tracklist: Perry In Dub Three Blind Dub Perry’s Rub A Dub Perry’s Jump Up Dub With Feeling After Beat Dub Problem With Dub Roots Rock Dub Good Will Dub Skanking With Lee Perry John Crow Skank Koch Up Dub Funky Dub One Drop Rockers

Jorge Torres Jorge Torres 7 months ago (edited) 0:47 - Freedom 07:18 - Man In The Street 27:13 - James Bond Theme 54:58 - Latin Goes Ska

All Songs were written by Frank Zappa "Elvis Has Just Left the Building" – 2:48 "Brown Shoes Don’t Make It" – 7:26 "The Jazz Discharge Party Hats" – 4:48 "Idiot Bastard Son" - 3:19 "Inca Roads" – 9:38 "Mōggio" – 2:46 "Nite School" – 5:00 "Echidna’s Arf (Of You)" – 3:53 "Hungry Freaks, Daddy" – 3:28 "Heavenly Bank Account" – 4:12 "The Meek Shall Inherit Nothing" – 2:54 "Waka/Jawaka" – 3:28 "Sofa" – 3:51 "Dirty Love" – 7:03 "Hot Plate Heaven at the Green Hotel" – 6:28 Joel Thome – conductor Sal Scarpa – assistant conductor The Persuasions – choir Rockapella – choir Dweezil Zappa – guitar (track 13) Steve Vai – guitar (tracks 12, 13) Mike Keneally – guitar, keyboards, vocals Scott Thunes – Bass, vocals Dale Bozzio – vocals (track 14) Mats Öberg – keyboards, piano, vocals Marc Ziegenhagen – keyboards Morgan Ågren – drums Abe Appleman – violin Alvin Rogers – violin Joyce Hammann – violin Ming Yeh – violin Peter Vanderwater – violin Sandra Billingstea – violin Sanford Allen – violin Sheila Reinhold – violin Stan Hunte – violin Al Brown – viola John Dexter – viola Richard Spencer – viola Bruce Wang – cello Fred Zlotkin – cello John Beal – double bass Cynthia Otis – harp Marvin Stamm – trumpet, flugelhorn Ron Sell – horn Jim Pugh – trombone Dave Taylor – bass trombone, tuba Virgil Blackwell – clarinet, bass clarinet Dave Tofani – flute, piccolo, soprano saxophone Robert Magnuson – oboe, alto saxophone John Campo – bassoon, tenor saxophone Roger Rosenberg – baritone saxophone Jonathan Haas – percussion The Persuasions Jay Otis Washington Jerry Lawson Jimmy Hayes Joe Russell Rockapella Barry Carl Elliot Kerman Scott Leonard Sean Altman

he classic Mike Keneally Band lineup (Keneally, Bryan Beller, Rick Musallam and Joe Travers) rips this one wide open at LA's Baked Potato in July, 2005. From the special signed DVD edition of "Guitar Therapy Live"

Thelonious Monk - piano Charlie Rouse - tenor sax Larry Gales - bass Ben Riley - drums 0:01 Lulu's Back In Town 15:38 Blue Monk 25:48 Round Midnight 32:39 Lulu's Back In Town 50:25 Don't Blame Me 56:00 Epistrophy

Dizzy Gillespie - trumpet Rudy Collins - drums Christopher White - bass Kenny Barren - piano James Moody - sax

The Variety Playhouse in Atalanta, Georgia on January 22, 2011

Set List: "Burn It Down" "Yo Canto" "Don't Worry Baby"

SET LIST "Only a River"' "When I Paint My Masterpiece" "Bird Song" "Ripple" Bob Weir: vocals, guitar Don Was: upright bass Jay Lane: drums, vocals Mikaela Davis: harp, vocals

Recorded Live: 7/21/1970 - Tanglewood - Lenox, MA Robert Lamm - keyboards, lead vocals Terry Kath - guitar, lead vocals Peter Cetera - bass, lead vocals James Pankow - trombone, percussion Lee Loughnane - trumpet, percussio, background vocals Walter Parazaider - woodwinds, percussion, background vocals Daniel Seraphine - drums

Recorded Live: 9/23/1970 - Fillmore East - New York, NY Gregg Allman - organ, vocals Duane Allman - guitar, vocals Dickey Betts - guitar, vocals Berry Oakley - bass, vocals Butch Trucks - drums Jai Johanny Johanson - drums Tom Doucette - harp Summary: On this date, Bill Graham assembled a stellar roster of bands to participate in the filming of a television special called Welcome To The Fillmore East for broadcast on educational channels. Short sets were filmed by the Byrds, the Elvin Bishop Group, Sha-Na-Na, Van Morrison, and the Allman Brothers Band, as well as behind-the-scenes footage of Bill Graham and the Fillmore East staff at work. The Allman Brothers performance is nothing short of spectacular and features the original lineup that included Duane Allman and Berry Oakley. Recorded six months prior to the legendary Live At Fillmore East double album set, this performance captures the Allman Brothers when they were a relatively new band, full of youthful passion and performing what would become classic original material when it was fresh and new. Following Bill Graham's introduction, they kick things off with a tight performance of "Don't Keep Me Wonderin'," which features the band's friend, Tom Doucette, blowing harp over the group's trademark sound. Gregg's vocal is barely audible, but it's obvious the group is full of fire. "Dreams," which follows, slows things down a bit and the group establishes a relaxed groove that showcases their trademark sound, blending elements that would eventually come to define "Southern Rock." They hit their stride on the next number, Dickey Betts' "In Memory Of Elizabeth Reed." Here, the dual guitar attack of Allman and Betts is astounding. The two guitarists intertwine and synchronize in a manner nothing short of telepathic, creating a melting pot seasoned with elements of jazz, rock, country, and blues into a style utterly their own. The set ends with a ferocious take of "Whipping Post" that features outstanding melodic bass playing from Berry Oakley, with both Duane Allman and Dickey Betts soaring over the propulsive rhythm section. Shorter than the expansive versions that would develop in coming months, this is all the more fascinating for it, as they compress an incredible amount of energy into the time allotted. Time constrictions and vocal microphone malfunctions aside, this is still a fascinating performance. This original lineup of the band was certainly one of the most innovative and captivating bands to ever play the Fillmore.

Steve Winwood – vocals, guitar, keyboards Jim Capaldi – percussion, vocals Chris Wood – flute, saxophone, keyboards Ric Grech – bass, violin Dave Mason – guitar, vocals Rebop Kwaku Baah – percussion, congas Jim Gordon – drums

NHØP live in Denmark with Sonny Rollins Trio 1965.

Recorded Live: 3/7/1976 - Winterland - San Francisco, CA Ronnie Van Zant - vocals Gary Rossington - guitar Allen Collins - guitar Billy Powell - keyboards Leon Wilkinson - bass Artimus Pyle - drums JoJo Billingsley - backing vocals Cassie Gaines - backing vocals Leslie Hawkins - backing vocals Summary: After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day. Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals. This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs. Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best. The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close. "Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

from "Sorcery" (1974), Prestige. Jack DeJohnette - keyboards, drums ; Dave Holland - bass ; Michael Felerman - Metaphone 1.

Jean-Luc Ponty – acoustic & electric violin, five-string electric violin, organ, lead synthesizer, Vako Orchestron Allan Zavod – keyboards Joaquin Lievano – acoustic & electric guitar Peter Maunu – acoustic & electric guitar, guitar synthesizer Ralphe Armstrong – electric bass guitar, fretless bass guitar Casey Scheuerell – drums, percussion

Reuben Wilson - organ Grant Green - guitar Lee Morgan - trumpet Leo Morris - drums George Coleman - tenor sax