David Bowie - The Passenger's photos exhibit by Andrew Kent at Tam Teatro Arcimboldi Milano
#davidbowie #andrewkent #teatroarcimboldi
Simona Cochi introducing to one of the most awaited events for this season: David Bowie The Passenger's photos exhibit by Andrew Kent at Tam Teatro Arcimboldi Milano.
Curated by Vittoria Mainoldi and Maurizio Guidoni. Produced by Navigare Srl.
Housed in the outstanding Teatro Arcimboldi created to welcome the seasons of the Teatro alla Scala
Teatro degli Arcimboldi's artistic director is Gianmario Longoni and is today the place of excellence for live entertainment, thanks to the hospitality of the greatest Italian and international artists who, by choosing it, have consolidated its prestige and made it an acclaimed brand. worldwide.
The exhibition “DAVID BOWIE the PASSENGER. By Andrew Kent ", is an Italian preview, and consists of 51 shots, various memorabilia and original documents from the Kent archive. Alongside the photographic journey, the protagonists of Bowie's European adventure in the mid-1970s will be faithfully and philologically reconstructed: from the carriage of the train that took him to Moscow, to his hotel room in Paris. And more clothes, microphones, cameras, records, models, posters, various memorabilia and projections complete the exhibition, accompanying the visitor on a spectacular and immersive journey within one of the most fascinating parentheses in the career of the popular culture icon.
Andrew Kent (Los Angeles, February 20, 1948) is an acclaimed photographer who created many of the most iconic images of 1970s rock superstars, including Freddie Mercury, Elton John, Jim Morrison, KISS, Iggy Pop and Frank Zappa, though undoubtedly Kent's most important collaboration was with David Bowie from 1975 to 1978.
www.teatroarcimboldi.it
www.mostradavidbowie.it
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"The Italian Way" Youtube Channel (My Camera .....my Paintbrush) is an iconic video magazine created by Simona Cochi, an Italian journalist and pr based in Milan.
Simona unveils the exclusive features of the most relevant events about Art, Lifestyle, Design, Fashion, and more. Art interviews are one of the keys to be seduced by "The Italian Way" project.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
This editorial project has been conceived on Simona return after a year and a half of work and research in different European capital cities and iconic outposts.
Simona Cochi can claim international working experiences and an academic track record.
2017 - Simona Cochi starts her digital video magazine to adapt communication and journalism techniques to the new challenge of the 2.0 era.
In 2018, during her experience as a video blogger in Vienna's museums, her definitive inspiration for surrealism was ignited through the work on the Man Ray's show at the Kunstforum. Further creativity and motivation have been enhanced thanks to the researches on Sigmund Freud, the other eminent Austrian's figure with significative traces of his life and works in Vienna.
The video journey started as "The Austrian Way" inside the magnificent art shows in the capital city: Monet, Picasso, Gustav Klimt, Keith Hearing, Florentina Pakosta, and more.
The digital producer's aim is to "paint" the path of the art exhibitions with her camera, revealing an unprecedented vision, delivering new interpretative nuances of daily reality.
The images and comments of the Italian journalist are expressed to describe the emotions of art but also to portray the magnificent outposts of culture. Simona Cochi's footages are often accompanied by iconic interviews from the event's protagonist.
The beauty of a work resides in its visionary strength, in its celebratory capacity, in the alienating effect it arouses and this is what the spontaneity of the author often manages to convey.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
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