SIGOPS

"Tight Rope" is the debut 1972 hit single by singer-songwriter Leon Russell. It was the lead track on his LP, Carney. The song reached number 11 on the U.S. Billboard Hot 100 and number 10 on the Cash Box Top 100. In Canada, it reached number five. This song is a circus metaphor about clinging to life while being on a high wire.

Solar Fire Album by Manfred Mann's Earth Band Solar Fire is the fourth studio album by Manfred Mann's Earth Band, released in 1973. It spent 15 weeks on the Billboard 200 charts, peaking at number 96 on 11 May 1974. It was initially intended to be a full adaptation of The Planets Suite but Gustav Holst's heir, who had previously given permission to the adaptation of Jupiter, the Bringer of Jollity in the hit single Joybringer, didn't allow this to happen, so the band made their own cosmic album using mostly original themes, although the most well known song is the Bob Dylan composition Father of Day, Father of Night, which is in the Earth Band's live set to this day and remains a popular song on rock radio. Pluto the Dog and the two-part Saturn, Lord of the Ring/Mercury, the Winged Messenger are instrumentals, and Earth the Circle Part 2 features only two lines of sung vocals. Tracks: --Side one-- 01 Father of Day, Father of Night 9:55 02 In the Beginning, Darkness 5:22 03 Pluto the Dog 2:48 --Side two-- 04 Solar Fire 5:15 05 Saturn, Lord of the Ring/Mercury, The Winged Messenger[nb 2] 6:31 06 Earth, The Circle Part 2 3:23 07 Earth, The Circle Part 1 3:56

"Riders on the Storm" is a song by American rock band the Doors, released in June 1971 by Elektra Records as the second single from the band's sixth studio album, L.A. Woman. It is known for being the last song that Jim Morrison recorded prior to his sudden death in Paris on July 3, 1971. The song reached number 14 on the U.S Billboard Hot 100, number 22 on the UK Singles Chart, and number seven in the Netherlands.

Audio 24-bit 192Khz remaster, Video 4K 60fps Shine On You Crazy Diamond is a written by Roger Waters, Richard Wright and David Gilmour. It is a tribute to former band member Syd Barrett. www.pinkfloyd.com Video Nuutti Kataja nuuttikataja@hotmail.com www.nuuttikataja.com https://www.midjourney.com/ https://www.topazlabs.com/ https://runwayml.com/ https://www.adobe.com/ https://magnific.ai/

Portrait footage was created using Invoke AI; 3D space footage was created using Stable Diffusion. Instagram: / aineuralnoise Twitter: / aineuralnoise TikTok: https://www.tiktok.com/@aineuralnoise...

Clip made with images created by artificial intelligence with Midjourney. Images resized with Topaz Gigapixel then retouched in Adobe Photoshop. Images are animated with Motionleaps and Apple Motion and D-ID. Morphing with Morph Age. Video editing is done with Lumafusion and Final cut pro x This video was made for THE DARK SIDE OF THE MOON 50TH ANNIVERSARY ANIMATED MUSIC VIDEO COMPETITION

https://www.portugaltheman Feel It Still" is a song by American rock band Portugal. The Man. The song draws on the melody from the Marvelettes' 1961 hit "Please Mr. Postman" written by the band along with producers John Hill and Asa Taccone, "Feel It Still" also includes a credit for Motown songwriter Brian Holland. It serves as the second single and first radio single off their eighth studio album, Woodstock. The song reached number one on the US Alternative Songs, Mexican and Russian Tophit airplay chart. It was also their first entry on the US Billboard Hot 100, becoming a sleeper hit, as it took eight months to peak at number four in November 2017. The track reached the top 10 in 18 countries including Australia, Belgium, Canada, France, Germany, Ireland, New Zealand, Norway, Portugal, Slovenia, Spain, Switzerland, the United Kingdom and the United States. In January 2018, the song won the Best Pop Duo/Group Performance at the 60th Annual Grammy Awards, the latest group to win the award as of 2024.

Trippy Vortex https://www.youtube.com/@trippyvortex Pigs (Three Different Ones)” is the second part of the three-song cycle on Animals (bookended by “Pigs On The Wing” parts one and two).

Official lyric video by Jason Creps for the Main Title Theme from HBO's "True Detective." Buy at iTunes: https://itunes.apple.com/us/album/sin... Buy at Amazon: http://www.amazon.com/gp/product/B001... Titles by Kathleen Judge, Christa Creps, Jason Creps. www.jasoncreps.com Says the band's Rennie Sparks of the song, which the Handsome Family originally released in 2003: "How strange to have an almost forgotten song from years ago resurrected and so showered with love! People keep asking us how we managed to write such a perfect song to open True Detective. They compliment us on all the various connections to the storyline we've managed to include and how perfectly our song emotionally sets the pace for each episode. They think I'm lying when I say that the song was written long before the TV show was a spark of an idea. Maybe time really is a flat circle. Maybe you do need to see a lot of darkness before you can see a little light. We've spent 20 years as a band of outsiders searching for ears that could hear us. At last I think we've found our Carcosa—that glorious kingdom built with the bricks of our deepest dreams." Of the photos in the clip, photographer Jason Creps says: "All of the images used in the video are images I have been shooting over the years as I travel out west. From Big Bend to Joshua Tree, up through Utah and Wyoming and all points in-between. The police images and files came from my grandfathers old police records from the '40s and '50s. Criminals and desert landscapes just seemed like just the right thing for this song."music

Modern Dark Ages Audio 24-bit 192 Khz remaster. Welcome to the machine was written by Roger Waters. www.pinkfloyd.com Video Nuutti Kataja nuuttikataja@hotmail.com

Stream this album now at https://bit.ly/bfthl ----- Joanne Shaw Taylor has established herself as the UK’s number one star of the blues rock world. The girl with the big voice from the Black Country has toured extensively around the world, released critically acclaimed albums and gained a global fan base as well as having the honour of playing alongside some of her musical idols. http://JoanneShawTaylor.com / joanneshawtaylor / joanneshawtaylor / joshawtaylor

Buckethead American guitarist bucketheadpikes.com Brian Patrick Carroll (born May 13, 1969), known professionally as Buckethead, is an American guitarist, songwriter, and multi-instrumentalist. He has received critical acclaim for his innovative virtuoso electric guitar playing. His music spans several genres, including progressive metal, funk, blues, bluegrass, ambient, and avant-garde music. He performs primarily as a solo artist, although he has collaborated with a wide variety of artists such as Bill Laswell, Bootsy Collins, Bernie Worrell, Iggy Pop, Les Claypool, Serj Tankian, Bill Moseley, Mike Patton, Viggo Mortensen, That 1 Guy, and Skating Polly. He was also a member of Guns N' Roses from 2000 to 2004. He has recorded 640 studio albums, four special releases, and one EP.He has performed on more than fifty albums by other artists. Buckethead has written and performed music for major motion pictures, including Saw II, Ghosts of Mars, Beverly Hills Ninja, Mortal Kombat, Mortal Kombat: Annihilation, Last Action Hero, Falling, and contributed lead guitar to the track "Firebird" featured on the Mighty Morphin Power Rangers: The Movie soundtrack. Buckethead performs wearing a KFC bucket on his head, sometimes emblazoned with an orange bumper sticker reading FUNERAL in block letters. This is accompanied by an expressionless plain white mask inspired by the 1988 slasher film Halloween 4: The Return of Michael Myers. He also incorporates nunchaku and robot dancing into his stage performances. Buckethead was credited by Guitar World as "ushering in a new era of virtuosity" while ranking the release of his 1992 debut album Bucketheadland the 45th greatest moment in electric guitar history.[ The magazine has also listed him among the "25 all-time weirdest guitarists" and the "50 fastest guitarists of all time".

"Anastasia" is a song from the second solo-project studio album by Slash "Apocalyptic Love." However, it is also the first studio album billed to Slash feat. Myles Kennedy & The Conspirators. The band features vocalist Myles Kennedy, bassist Todd Kerns and drummer Brent Fitz in addition to Slash on guitar. Produced by Eric Valentine, it was released on May 22, 2012. This track was born out of something Slash started doing during his guitar solo on the live shows. He told MusicRadar.com: "It turned into an entire song and there's an extended outro solo and an extended fingerpicking intro. It's probably the most guitar-focused song on the record." Speaking with the Irish Times, Slash responded to suggestions that the song's intro sounds like it was inspired by Bach's "Toccata and Fugue in D Minor." "In this really interesting day and age of social networking, it started with just one person who said it was a Bach thing," he said. "I had no idea it sounded like a Bach thing, and then everybody asked me about it. I think it is just the style of the arpeggio. Still, there are worse musicians to be compared to than Bach." "I'm proud of the song," he continued, "I always liked it. It was one of the songs that came up at the tail-end of the recording when we were in pre-production."

Soulshine When you cant find the light That guides you through a cloudy day When the stars aint shinin bright And you fill like youve lost youre way When the candle lights of home Burn so very far away Well you got to let your soul shine Just like my daddy used to say He used to say soul shine Its better than sunshine Its better than moonshine Damn sure better than rain Hey now people dont mind We all get this way sometimes Got to let your soul shine Shine till the break of day I grew up thinkin that I had it made Gonna make it on my own But life can take the strongest man And make him feel so alone Now and then I feel a cold wind Blowin through my achin bones I think back to what my daddy said He said Boy, in the darkness before the dawn Let your soul shine Its better than sunshine Its better than moonshne Damn sure better than rain Yeah now people dont mind We all get this way sometimes Got to let your soul shine Shine till the break of day Sometimes a man can feel this emptiness Like a woman has robbed him of his very soul A woman too, God knows, she can feel like this And when your world seems cold You got to let your spirit take control Let your soul shine Its better than sunshine Its better than moonshne Damn sure better than rain Lord now people dont mind We all get this way sometimes Got to let your soul shine Shine till the break of day Oh, its better than sunshine Its better than moonshne Damn sure better than rain Yeah now people dont mind We all get this way sometimes Got to let your soul shine Shine till the break of day

Joanne Shaw Taylor has established herself as the UK’s number one star of the blues rock world. The girl with the big voice from the Black Country has toured extensively around the world, released critically acclaimed albums, and gained a global fan base as well as having the honor of playing alongside some of her musical idols. http://JoanneShawTaylor.com / joanneshawtaylor / joanneshawtaylor / joshawtaylor

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971, in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides. At Fillmore East was the band's artistic and commercial breakthrough, rapidly escalating the band's exposure and gaining them a new legion of loyal fans. Many people consider At Fillmore East to be one of the best live albums of all time, and consider the album to be the start of the band's association with the jam band school of music (although members of the band have repudiated the label, stating instead they are just "a band that jams"). It has also been ranked among the best overall albums by artists and continues to be a top seller in the band's catalog, becoming their first album to go platinum. In 2004, the album was selected for preservation in the Library of Congress, deemed to be "culturally, historically, or aesthetically important" by the National Recording Registry. Track Title Length 01 "Statesboro Blues" 4:17 02 "Trouble No More" 3:43 03 "Don't Keep Me Wonderin'" 3:27 04 "Done Somebody Wrong" 4:11 05 "Stormy Monday" 10:19 06 "One Way Out" 4:55 07 "In Memory of Elizabeth Reed" 12:59 08 "You Don't Love Me" 19:24 09 "Midnight Rider" 2:55 10 "Hot 'Lanta" 5:20 11 "Whipping Post" 22:37 12 "Mountain Jam" 33:41 13 "Drunken Hearted Boy" (withElvin Bishop) 6:54

https://www.allmanbettsband.com Set List: 01 All Night 02 Shinin' 03 Blue Sky 04 Ain't Wastin' Time No More 05 Autumn Breeze 06 Dimples 07 Purple Rain 08 In Memory of Elizabeth Reed 09 Down to the River 10 Midnight Rider 11 Southern Accents 12 Long Gone "The Allman Betts Band ( https://www.allmanbettsband.com ) Individually, they’re Devon Allman and Duane Betts, two solo artists and modern-day guitar heroes who’ve both spent years creating their own version of American roots music. Together, they’re the leaders of The Allman Betts Band, a supergroup anchored by sharp songwriting, fiery fretwork, and an historic legacy. Inspired by the classic sounds of the group’s family tree, The Allman Betts Band makes timeless rock & roll for the modern world, blurring the boundaries between blues, Americana, and southern soul. Over the course of two critically-acclaimed studio albums, hundreds of live shows, and annual performances of the Allman Betts Family Revival, The Allman Betts Band has established its own legacy of music and brotherhood. Devon and Duane first met as children in 1989, when their fathers — keyboardist Gregg Allman and guitarist Dickey Betts, both co-founders of The Allman Brothers Band — brought their boys on tour for the group’s 20th anniversary tour. “When you grow up on tour like that, it connects you at a young age,” Duane says. “From that point on, we knew we were family. Even though we never lived in the same city, we always had that bond.” In late 2017, Devon and Duane found themselves onstage at the Fillmore in San Francisco — a performance that would birth not only The Allman Betts Family Revival tradition, but also The Allman Betts Band itself. “That night would’ve been my father’s 70th birthday,” Devon recalls, “so I put together a one-off concert to celebrate his life and his music. Duane joined me for some songs. Our families had been intertwined for years, and we always knew we might form a band at some point in our lives. That show proved we had the chemistry to do it.” The musical chemistry grew throughout 2018, while the two songwriters played more than 100 shows across the world. Along the way, they began writing new songs in hotel rooms and tour bus lounges, creating their own version of the soulful, guitar-fueled music they’d grow up loving. Flush with material, The Allman Betts Band recorded its debut album, Down to the River, at Muscle Shoals Sound Studios. The guys tracked the record live, recording to two-inch analog tape without the use of computers or digital editing. Down to the River was released in 2019, reaching Number 1 on the iTunes Rock Chart and cracking the Top 10 on multiple Billboard charts. “We built a fanbase very quickly,” Devon says. “I think there was a need for our kind of music, especially for people who loved bands like The Grateful Dead, the Allman Brothers, and the Rolling Stones. Those fans were excited to hear a newer band doing music in an old-school vein.” To support the album’s release, The Allman Betts Band launched a world tour on March, 2019 — an historic date that marked the 50-year anniversary of The Allman Brothers Band’s first jam session in Jacksonville, Florida. As the seven-piece band toured the world, the musical connection between Devon and Duane grew deeper. They wrote new songs during the short breaks between shows. They collaborated on the third-annual Family Revival. They even found time to return to Muscle Shoals Sound Studios with producer Matt Ross-Spang, with whom they recorded Bless Your Heart over a week’s time. When a global pandemic threatened to prevent The Allman Betts Band from touring behind Bless Your Heart, the guys got creative, playing socially-distanced gigs in cow pastures before launching an extensive drive-in tour. They hit a new stride in 2021, when they played nearly 120 shows — including multiple performances with the Family Revival, which they turned into a traveling festival featuring an all-star lineup of guests. Artists like Robert Randolph, Jimmy Hall, Donovan Frankenreiter, and G. Love joined them that year, and when the Family Revival returned in 2022 for another run of shows, the guys were joined by Luther Dickinson, Maggie Rose, and others. “The Family Revival started as a celebration of my father, but it evolved into a Last Waltz-style reunion of players from our generation, as well as up-and-coming talent,” Devon explains. “It’s become a chance for all of us to come together, play this precious catalog, and galvanize our own generation of musicians. It’s something my Dad would’ve been proud of. I know that Duane’s dad is proud of it, too.” Meanwhile, The Allman Betts Band took some time off in 2022 and early 2023. During the hiatus, Duane recorded and released Wild & Precious Life — his full-length debut as a solo artist — while Devon toured the country with Donavon Frankenreiter, setting a new world record for playing 50 shows across all 50 states in 49 days. By the summer of 2023, The Allman Betts Band had returned to the road, ready to start a new chapter. The group expanded its lineup, too, with Allman and Betts now joined by guitarist Johnny Stachela, bassist Justin Corgan, keyboardist John Ginty, percussionist/saxophonist David Gomez, and drummers John Lum and Alex Orbison. “We’re keeping the tradition alive,” says Duane. “The Allman Betts Band is an original band, and our albums are the foundation of what we do, but we’re also happy to include a couple tips-of-the-hat to my dad and Gregg Allman during our sets, too. They’re part of our influences. They’re part of our history.” History, indeed. There’s a rich lineage to The Allman Betts Band, whose two leaders are carrying the musical torch once held by their fathers. This is a group of musicians who proudly live in the present, though, not the past. They make music for today, creating a new soundtrack for the American South, blurring the lines between genres along the way. There’s a bluesy Americana band with a teeth. They’re a rock & roll band with soul. They’re first-rate songwriters and top-shelf guitarists, always searching for a new song to sing. They’re The Allman Betts Band."

Warren Haynes performs with special guest Joe Bonamassa at Guitar Center's 2011 King of the Blues Finals at the House of Blues in Los Angeles on September 1st 2011.

"The Allman Betts Band ( https://www.allmanbettsband.com ) Individually, they’re Devon Allman and Duane Betts, two solo artists and modern-day guitar heroes who’ve both spent years creating their own version of American roots music. Together, they’re the leaders of The Allman Betts Band, a supergroup anchored by sharp songwriting, fiery fretwork, and an historic legacy. Inspired by the classic sounds of the group’s family tree, The Allman Betts Band makes timeless rock & roll for the modern world, blurring the boundaries between blues, Americana, and southern soul. Over the course of two critically-acclaimed studio albums, hundreds of live shows, and annual performances of the Allman Betts Family Revival, The Allman Betts Band has established its own legacy of music and brotherhood. Devon and Duane first met as children in 1989, when their fathers — keyboardist Gregg Allman and guitarist Dickey Betts, both co-founders of The Allman Brothers Band — brought their boys on tour for the group’s 20th anniversary tour. “When you grow up on tour like that, it connects you at a young age,” Duane says. “From that point on, we knew we were family. Even though we never lived in the same city, we always had that bond.” In late 2017, Devon and Duane found themselves onstage at the Fillmore in San Francisco — a performance that would birth not only The Allman Betts Family Revival tradition, but also The Allman Betts Band itself. “That night would’ve been my father’s 70th birthday,” Devon recalls, “so I put together a one-off concert to celebrate his life and his music. Duane joined me for some songs. Our families had been intertwined for years, and we always knew we might form a band at some point in our lives. That show proved we had the chemistry to do it.” The musical chemistry grew throughout 2018, while the two songwriters played more than 100 shows across the world. Along the way, they began writing new songs in hotel rooms and tour bus lounges, creating their own version of the soulful, guitar-fueled music they’d grow up loving. Flush with material, The Allman Betts Band recorded its debut album, Down to the River, at Muscle Shoals Sound Studios. The guys tracked the record live, recording to two-inch analog tape without the use of computers or digital editing. Down to the River was released in 2019, reaching Number 1 on the iTunes Rock Chart and cracking the Top 10 on multiple Billboard charts. “We built a fanbase very quickly,” Devon says. “I think there was a need for our kind of music, especially for people who loved bands like The Grateful Dead, the Allman Brothers, and the Rolling Stones. Those fans were excited to hear a newer band doing music in an old-school vein.” To support the album’s release, The Allman Betts Band launched a world tour on March, 2019 — an historic date that marked the 50-year anniversary of The Allman Brothers Band’s first jam session in Jacksonville, Florida. As the seven-piece band toured the world, the musical connection between Devon and Duane grew deeper. They wrote new songs during the short breaks between shows. They collaborated on the third-annual Family Revival. They even found time to return to Muscle Shoals Sound Studios with producer Matt Ross-Spang, with whom they recorded Bless Your Heart over a week’s time. When a global pandemic threatened to prevent The Allman Betts Band from touring behind Bless Your Heart, the guys got creative, playing socially-distanced gigs in cow pastures before launching an extensive drive-in tour. They hit a new stride in 2021, when they played nearly 120 shows — including multiple performances with the Family Revival, which they turned into a traveling festival featuring an all-star lineup of guests. Artists like Robert Randolph, Jimmy Hall, Donovan Frankenreiter, and G. Love joined them that year, and when the Family Revival returned in 2022 for another run of shows, the guys were joined by Luther Dickinson, Maggie Rose, and others. “The Family Revival started as a celebration of my father, but it evolved into a Last Waltz-style reunion of players from our generation, as well as up-and-coming talent,” Devon explains. “It’s become a chance for all of us to come together, play this precious catalog, and galvanize our own generation of musicians. It’s something my Dad would’ve been proud of. I know that Duane’s dad is proud of it, too.” Meanwhile, The Allman Betts Band took some time off in 2022 and early 2023. During the hiatus, Duane recorded and released Wild & Precious Life — his full-length debut as a solo artist — while Devon toured the country with Donavon Frankenreiter, setting a new world record for playing 50 shows across all 50 states in 49 days. By the summer of 2023, The Allman Betts Band had returned to the road, ready to start a new chapter. The group expanded its lineup, too, with Allman and Betts now joined by guitarist Johnny Stachela, bassist Justin Corgan, keyboardist John Ginty, percussionist/saxophonist David Gomez, and drummers John Lum and Alex Orbison. “We’re keeping the tradition alive,” says Duane. “The Allman Betts Band is an original band, and our albums are the foundation of what we do, but we’re also happy to include a couple tips-of-the-hat to my dad and Gregg Allman during our sets, too. They’re part of our influences. They’re part of our history.” History, indeed. There’s a rich lineage to The Allman Betts Band, whose two leaders are carrying the musical torch once held by their fathers. This is a group of musicians who proudly live in the present, though, not the past. They make music for today, creating a new soundtrack for the American South, blurring the lines between genres along the way. There’s a bluesy Americana band with a teeth. They’re a rock & roll band with soul. They’re first-rate songwriters and top-shelf guitarists, always searching for a new song to sing. They’re The Allman Betts Band."