a photo*graphic experience

Photography was not always considered an art form. In fact, it was only when the 20th century came around that photographers started to take their work more seriously and began exhibiting their works in galleries. The invention of the camera in 1839 by Louis Daguerre marked a significant event in history. This was because it was one of the first machines that could record a scene on film. The camera was made with silver-plated copper sheets coated with light-sensitive chemicals called silver halides or crystals (this is what we call film). These chemicals reacted to light and changed it into an invisible form that could be stored on the surface of film, later to be developed into an image by adding more chemicals and heating them up (this process is called development). 01. Albert Einstein, January 1921 by Ferdinand Schmutzer (1870-1928) 02. 56 Rue de Valois, Paris, 1932 by Ilse Bing (1899–1998) 03. Empty chair, 1948 by Josef Sudek (1896-1976) 📷 +++ Visual Independence ... a photo*graphic experience +++ 📺 Discover what you like, collect your favorite artists, and build your personal collection! ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/visual-independence OpenSea ► https://opensea.io/collection/film-foto #photographers #rarephotos #photoslideshow

Photography is gradually conquering the art market. Photographers, photo enthusiasts and aspiring collectors of photography have the power to observe and understand these new trends in the market in order to proceed in the optimal direction. Why do we collect things? People collect for investments. People collect for the sheer pleasure of it. Some people collect to expand their social life by exchanging ideas and experiences with like-minded people. Photography is an accessible and affordable introduction to the art world. In Visual Independence's Photo Slideshow series you find unique and rare photographs from the history of photography. 01. Corset by Detolle, 1939, by Horst P. Horst (1906-1999) 02. Stove in the studio, Prague 1958 by Jan Svoboda (1934-1990) 03. Tightrope walk across the Niagara River, 1860 by George Barker (1844 – 1894) 📷 +++ Visual Independence ... a photo*graphic experience +++ 📺 ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto #rarephotos #photooftheday #vintagephotography

Photography is the tool of choice for visual artists to express themselves creatively. Visual art photographs express an innovative idea, a feeling or a message unique to the artist. The first photographs were taken in the 1820s. The techniques of photography continued to develop in the following century. But during the 19th century, photography's entry into the realm of the fine arts was doubted by cultural critics and guardians. In Visual Independence's Photo Slideshow series you find unique and rare photographs from the history of photography. 01. The art of travel, 1951 by NORMAN PARKINSON (1913-1990) 02. On the road to Cuzco, Peru, by 1954 WERNER BISCHOF (1916-1954) 03. Notre-Dame Paris, 1982 by ANDRE KERTESZ (1894-1985) 📷 +++ Rare Fine Art Photography you find nowhere else +++ 📺 ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto

📷 +++ Visual Independence ... a photo*graphic experience. +++ 📺 01. Marilyn Monroe The Misfits, 1960 by Eve Arnold (1913-2012) Motivated by her indomitable curiosity, Eve sought to capture the story beneath the surface and photograph the person beyond the personality. 02. Michele Morgan, Le Havre 1938 by Alexandre Trauner (1906 - 1993) Although the name of this modest gentleman is still little known, Alexandre Trauner was a key figure in the history of film and photography. 03. Still Life Mexico, Artes Plasticas, 1931 by Agustín Jiménez (1901-1974) Jiménez is considered one of the pioneers of the Mexican avant-garde photography movement of the 1920s. His extensive body of work includes photojournalism, and portraits of leading figures of Mexican cultural and social life. 🚀 First launched in Paris in 2010, Visual Independence showcased rare and highly regarded fine art photography of the 20th century. ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto #rarephotos #fineartphotography #marilynmonroe

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. 🚨 El Lissitzky, Gutenberg Jahrbuch 1926 1. Prisoner, New Jersey 1975 by Henri Cartier-Bresson (1908 - 2004) 2. Franz Kafka, American Photo Studio Prague, 1896 3. Frida Kahlo, 1933 by Lucienne Bloch 1909 - 1999 📷 +++ Rare Fine Art Photography you find nowhere else +++ 📺 ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. 🚨 El Lissitzky, Gutenberg Jahrbuch 1926 1. Federico Fellini, Rome 1960, by Tazio Secchiaroli (1925 - 1998) 2. Red Square Moscow 1956 by Peter Bock-Schroeder (1913-2001) 3. Lee Miller, Paris 1929 by Man Ray (1890 - 1976) 📷 +++ Rare Fine Art Photography you find nowhere else +++ 📺 ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. 🚨 El Lissitzky, Gutenberg Jahrbuch 1926 1. Buste de Caracalla, Londres, 1857 by Roger Fenton (1819 - 1869) 2. Yanktonai Sioux Chief, 1910 by Delancey W. Gill (1859 - 1940) 3. Barricade St Michel, Paris 1944 by Robert Doisneau (1912 - 1994) 📷 +++ Rare Fine Art Photography you find nowhere else +++ 📺 ✅ Subscribe and become a channel member: Visual Independence ► https://lnkd.in/d7z_WhD9 ⛓️ 🔗 Useful Links 🔗 ⛓️ Bock-Schroeder ► https://bock-schroeder.com/how-to-become-a-photography-collector OpenSea ► https://opensea.io/collection/film-foto

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. El Lissitzky, Gutenberg Jahrbuch 1926 1. Afghan head Paris, 1931 by Germaine Krull (1897 - 1985) 2. Hairdressing Salon, Madrid, 1965 by Inge Morath (1923-2002) 3. The phallic woman, Paris, 1966 by Brassaï (1899-1984) 📷 +++ Rare Fine Art Photography you find nowhere else +++

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. El Lissitzky, Gutenberg Jahrbuch 1926 1. Anita Page, 1932 by George Hurrell (1904-1992) 2. Wooden Stairs, Pittsburgh, 1934 by Luke Swank (1890-1944) 3. Via Dolorosa Jerusalem, 1859 by Louis de Clercq (1836 - 1901) 📷 +++ Rare Fine Art Photography you find nowhere else +++ ✅ Subscribe: Visual Independence ► https://lnkd.in/d7z_WhD9

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. El Lissitzky, Gutenberg Jahrbuch 1926 1. Leaning Tower of Pisa, 1855 by Louis-Auguste Bisson (1814–1876) 2. Gothic portal, St. Loup de Naud, 1851 by Henri Le Secq (1818 - 1882) 3. Immortal Children, Palermo 1939 by Herbert List (1903 to 1975) 📷 +++ Rare Fine Art Photography you find nowhere else +++ ✅ Subscribe : Visual Independence ► https://lnkd.in/d7z_WhD9

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. El Lissitzky, Gutenberg Jahrbuch 1926 1. Charles Chaplin 1930 by Edward Steichen (1879 –1973) 2. Venus de Milo, Engraved Daguerreotype plate, by Alfred Donné (1801-1878) 3. Rue Saint-Denis, Paris 1907 by Eugene Atget (1857 – 1927) 📷 +++ Rare Fine Art Photography you find nowhere else +++ ✅ Subscribe: Visual Independence ► https://lnkd.in/d7z_WhD9

In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanised, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography. El Lissitzky, Gutenberg Jahrbuch 1926 1. Port of Sète, July 1857 by Gustave Le Gray (1820-1884) 2. Pictorialist Light, Henri Berssenbruegge (1873 - 1959) 3. Stanislas Ratel (1824 - 1904) Quarter-plate Daguerreotype self-portrait circa 1843 📷 +++ Rare Fine Art Photography you find nowhere else +++