Sesame Street Number and Letter Segments

Hop, hop, shake your head, and sway like an elephant. Video by Karen Aqua. Sesame Street

Hop, hop, shake your head, and wiggle like an octopus. Video by Karen Aqua. Sesame Street

"Move to the Beat" is an animated Sesame Street song produced by Karen Aqua. A little girl is joined in dancing by an animated tiger

A boy has a dream in which he floats in Outer Space between things. Sesame Street

Giant Letters X and O discovered by a family out in a field. Sesame Street

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

"Milo Counting" is a series of Sesame Street segments where a man (Milo Mottola) in an outdoor scene holds and presents sequential numbers from 1 to 13 (ending on a different number each segment). The series uses pixillation effects (a variation of stop-motion animation capturing live footage or actors frame by frame), with Milo often taking part in improbable activities such as emerging from a lake or sliding across a field. The segments were produced in 1996 by Ken Brown and Lisa Crafts. Caleb Sampson composed the score for each segment.

A Sesame Street Number Segment about a girl computer matching

A Sesame Street Number Segment about a girl computer matching

A Sesame Street Number Segment about a girl computer matching

A stop motion Sesame Street Segment about cereal alphabet photo booth by Lisa Crafts

"Family Dance" is a song used for a film insert on Sesame Street by animator Karen Aqua. The rhyming lyrics are spoken by Alicia Bell, as a little girl discussing her family. The segment used cut-out photographs, animated to appear to be dancing. The models were Aqua's brother Hal Aqua (mentioned in the lyric, "and his name is Hal"), his wife Risa, and children Annie and Zoe. The latter was the point of view character. Ken Field played alto sax on the soundtrack.

"Family Dance" is a song used for a film insert on Sesame Street by animator Karen Aqua. The rhyming lyrics are spoken by Alicia Bell, as a little girl discussing her family. The segment used cut-out photographs, animated to appear to be dancing. The models were Aqua's brother Hal Aqua (mentioned in the lyric, "and his name is Hal"), his wife Risa, and children Annie and Zoe. The latter was the point of view character. Ken Field played alto sax on the soundtrack.

A Sesame Street Segment about Near & Far by Jane Aaron

A stop motion Sesame Street Segment about Pizza

Cut-outs of kids and animals pass letters around to do the alphabet.

A girl learning about the letter m M is for Moon, Monster, and Magic

A Sesame Street Number Segment about a girl computer matching

A Sesame Street Number Segment about a girl computer matching

As unseen singers croon about what danger means, a man (Rondell Sheridan)falls down a hole, where he stops various dangerous situations. As a reward, a mirror appears as a gateway back to the street, and the man is careful to walk around the hole this time. Written by: Christopher Cerf Date: 1998 Publisher: Splotched Animal Music Co. First Appearance: Episode 3833

Things in a yard that start with the Letter C. A Letter Segment by Jane Aaron for Sesame Street.