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"Vera" is a song by Pink Floyd which appears on their 1979 album, The Wall. The title is a reference to Vera Lynn, a British singer who came to prominence during World War II with her popular song "We'll Meet Again". The reference is ironic, as Roger Waters (and his fictional character "Pink") would not meet his father who died in the war. The song's intro features a collage of superimposed audio excerpts from the 1969 film Battle of Britain. Among the used clips are a piece of dialogue ("Where the hell are you, Simon?"), a BBC broadcast and battle sound effects. "Bring the Boys Back Home" is a song from the Pink Floyd album, The Wall. The song was released as a B-side on the single, "When the Tigers Broke Free". According to songwriter Roger Waters, "Bring the Boys Back Home" is the central, unifying song on The Wall: ... it's partly about not letting people go off and be killed in wars, but it's partly about not allowing rock and roll, or making cars, or selling soap, or getting involved in biological research, or anything that anybody might do ... not letting that become such an important and 'jolly boy's game' that it becomes more important than friends, wives, children, or other people. — Roger Waters, in Interview by Tommy Vance, broadcast 30 November 1979, BBC Radio One In the film, the song is sung by a large choir, without Waters' lead vocal. It is also expanded, with an extended vamp on the subdominant before repetition of the full four-line lyric. "Bring the Boys Back Home" is about not letting war, or careers, overshadow family relationships or leave children neglected. This is symbolised in the film, in which the protagonist, Pink, is seen as a young boy at a train station. The station is filled with soldiers returning from war, their loved ones happy to greet them. But though he wanders around in vain, there is no one for Pink to embrace, as his father did not make it home alive. The happy crowd sings an exultant tune, "Bring the Boys Back Home", but the song ends abruptly on a minor chord as Pink suddenly realises he is alone. The crowd of reunited families then vanish. As the last notes die away, we see his embittered and alienated adulthood. Memories of events that drove Pink to isolation begin to recur in a loop: The teacher from "Another Brick in the Wall", the operator from "Young Lust", and the groupie from "One of My Turns", Pink's manager knocking and yelling out, "Time to go!" (to play a concert) and insane laughter are also mixed into the closing seconds, concluding with the ominous voice from "Is There Anybody Out There?", reverberating slowly into silence, and segueing into "Comfortably Numb" as Pink’s manager bursts through the door finding Pink unconscious from an overdose. Input: 1920x1080 23.976fps (source: BD) Output: 3840x2160 23.976fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #Vera #PinkFloyd #TheWall #BringTheBoysBackHome

"Goodbye Blue Sky" is a song by Pink Floyd. It appeared on their 1979 double album, The Wall. In a brief prologue, a skylark is heard chirping. The sound of approaching bombers catches the attention of a child (voiced by a young Harry Waters), who states, "Look mummy, there's an aeroplane up in the sky". The lyrics go on to describe the memory of the Blitz: Did you see the frightened ones? Did you hear the falling bombs? Did you ever wonder why we had to run for shelter when the promise of a brave new world unfurled beneath a clear blue sky? ... The flames are all long gone, but the pain lingers on. In the film version, this segment is animated by Gerald Scarfe. It begins in live-action with a cat trying to catch the white dove but then flies away. It transitions to animation with the dove flying peacefully up only to suddenly be gorily torn apart by a black Nazi eagle (Reichsadler). It glides over the countryside and swoops down to grasp the earth with its talons, ripping up a huge section leaving a sulfurous trail in its wake, giving way to a warlord that morphs into a metallic factory that releases warplanes. Next, naked, gas-masked people (the frightened ones) are seen running about on all fours and hiding from The Blitz. The warplanes turned into crosses just as the Union Jack fragments into a bleeding cross. The Nazi eagle crashes and shatters and the dove emerges out of it while the dead soldiers are able to finally rest in peace. Finally, the blood from the cross runs down the hill and into a storm drain. Unlike the album, this comes in after "When the Tigers Broke Free" and before "The Happiest Days of Our Lives". Input: 1920x1080 23.976fps (source: BD) Output: 3840x2160 23.976fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #GoodbyeBlueSky #PinkFloyd #TheWall

"Is There Anybody Out There?" is a song from the Pink Floyd album, The Wall. At this point in the plot, the bitter and alienated Pink is attempting to reach anybody outside of his self-built wall. The repeated question "Is there anybody out there?" suggests that no response is heard. On the other hand, Comfortably Numb, some songs later in the album, starts with the sentence "Hello, Is there anybody in there?" addressed to Pink. In the film, during the ominous opening to the song, Pink is standing in front of the completed wall, and throws himself against it several times as if trying to escape. Then, during the acoustic guitar section, it cuts to Pink laying out all his possessions on the floor of the hotel room in neat piles. At the end of the song, it cuts to the bathroom where Pink shaves off his eyebrows and body hair, and tries to cut off his nipples with the razor, severing them. Input: 1920x1080 23.976fps (source: BD) Output: 3840x2160 23.976fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #IsThereAnybodyOutThere #PinkFloyd #TheWall

"What Shall We Do Now?" (working title "Backs to the Wall") is a song by Pink Floyd, written by Roger Waters. It was originally intended to be on their 1979 album The Wall, and appeared in demo versions of The Wall, but was omitted due to the time restraints of the vinyl format. In its place is a much shorter song, titled "Empty Spaces", which segues directly into "Young Lust". This was a last-minute decision; the album's sleeve notes still feature the song in its track listing, and include its lyrics. The beginning of the song is the same backing track as "Empty Spaces", but in the original key of D minor. It's a slow, dark progression with a repetitive, electronic drum beat and solo guitar, but where "Empty Spaces" ends and segues into "Young Lust", "What Shall We Do Now?" moves into a second, louder section punctuated with guitar power chords. The transition of D - E - F - E is a recurring theme throughout the album, heard on "In the Flesh?", "In the Flesh", "Waiting for the Worms", and the three "Another Brick in the Wall" songs. The long verse is played with D minor and A minor chords. Where the album's main character, Pink's question about how he should fill out the gaps in his wall was of a rhetorical nature in "Empty Spaces", "What Shall We Do Now?" lists the diversions, possessions, and vices of a rock star ("Shall we buy a new guitar / Shall we drive a more powerful car / Shall we work straight through the night / Shall we get into fights / Leave the lights on / Drop bombs ....") in response. The two tracks are easily confused. The tape speed for "Empty Spaces" was sped up, to raise its key to E minor, with re-recorded vocals and guitar. The members of Pink Floyd have contributed to the confusion regarding the identity of this track, misidentifying "What Shall We Do Now?" as "Empty Spaces" on multiple occasions, such as in the track listing for the film version of The Wall, and on Waters' The Wall Live in Berlin. On other occasions (such as the officially released live version), the first and second parts of the track are divided and identified as "Empty Spaces" and "What Shall We Do Now?" respectively, even though they are in fact two distinct parts of the same song, the first of which was later intended to be reprised as "Empty Spaces". (This is based on the original lyrics and running order as printed on initial vinyl copies of the album.) The studio version has not been officially released on any CD to date, but has been widely bootlegged from the film (with the audio taken from VHS, Laserdisc and DVD sources over the decades). The song was featured in the film version of The Wall, coupled with an animated sequence by Gerald Scarfe. The animation — described by Roger Waters in the DVD commentary as "The fucking flowers!" — starts with the image of two flowers, a rose (the male flower) and a lily (the female flower) caressing each other. Synchronized to the music, the flowers both have sex (taking the shape of a human couple doing so) with the rose at one point is shaped like a penis, and the form of the lily is of a vagina. The flowers got into a fight (while two white doves flew away) forming into dragon-like beasts, and ultimately ending with the lily consuming and destroying the rose. The flower sequence ends as soon as the first lyrics ("What shall we use...") are sung. The female flower, now transformed into a pterodactyl-like creature, flies into the distance as a row of high-rise and commercial buildings appears. These however turn out to be the wall of many post-war goods such as cars, electronics, motorcycles and yachts which slowly surrounds a "sea of faces". As the wall speeds up into "Shall we buy a new guitar?/Shall we drive a more powerful car?...", the animation becomes extremely morbid. Faces of people caught in the wall screaming, flowers turn into barbed wire, a baby suffers a metamorphosis and turns into a reptilian humanoid and then into a Neo-Nazi fascist who bludgeons the head of a skeletal slightly dark skinned man, with his brains splattering on a wall formed around him. The wall destroys through a cathedral and the rubble builds into a casino-like neon temple which produces more and more bricks. A rag doll (representing Pink) violently contorts into an array of objects relating to the materialistic and troubled nature of Pink's wall: a voluptuous nude female form, dollops of ice cream, then back to the female shape and into an MP-40, a hypodermic needle, a black Fender Precision Bass guitar, and a BMW M1. The sequence ends as the ground rises into the form of a fist that becomes a hammer (a hammer that would reappear in the animated sequence of "Waiting for the Worms"). Input: 1920x1080 23.976fps Output: 3840x2160 23.976fps The Wall full playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #WhatShallWeDoNow #PinkFloyd #TheWall #EmptySpaces

"Comfortably Numb" is a song on Pink Floyd's eleventh album, The Wall (1979). It was released as a single in 1980 with "Hey You" as the B-side. The music was composed by guitarist David Gilmour, and lyrics were written by bassist Roger Waters. The Wall is a concept album about an embittered and alienated rock star named Pink. In "Comfortably Numb," Pink is medicated by a doctor so he can perform for a show. Guitarist David Gilmour recorded a wordless demo, and bassist Roger Waters wrote lyrics, inspired by an experience of being injected with tranquilizers for stomach cramps before a 1977 performance in Philadelphia on the In the Flesh Tour. "That was the longest two hours of my life," Waters said, "trying to do a show when you can hardly lift your arm." The song's working title was "The Doctor". For the chorus, Gilmour and session player Lee Ritenour used a pair of acoustic guitars strung similarly to Nashville tuning, but with the low E string replaced with a high E string, two octaves higher than standard tuning. This tuning was also used for the arpeggios in "Hey You". Waters and Gilmour disagreed about how to record the song; Gilmour preferred a more grungy style for the verses. Gilmour said: "We argued over 'Comfortably Numb' like mad. Really had a big fight, went on for ages." In the end, Waters' preferred opening and Gilmour's final solo were used. To write the two guitar solos, Gilmour pieced together elements from several other solos he had been working on, marking his preferred segments for the final take. Input: 1920x1080 23.976fps (source: BD) Output: 3840x2160 23.976fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #ComfortablyNumb #PinkFloyd #TheWall

"One of My Turns" is a song by Pink Floyd, appearing on their 1979 album The Wall. The song was also released as a B-side on the single of "Another Brick in the Wall (Part 2)". The Wall is the story of Pink, an embittered and alienated rock star, whose sanity is failing as he isolates himself behind a psychological barrier. "One of My Turns" finds Pink inviting a groupie into his room after learning of his wife's affair. While the groupie tries to get his attention, he ignores her, and muses on his failed relationship with his wife. A TV can be heard in the background, the dialogue mixed in with the groupie's attempts at conversation. While the hapless groupie continues trying to get his attention, Pink feels "Cold as a razor blade / Tight as a tourniquet / Dry as a funeral drum," before exploding into a fit of violence, destroying his room, and frightening the young woman away. When his hotel room is finally in complete shambles, and the groupie is gone, Pink feels something more: Self-pity, and a lack of empathy for others, as he screams "Why are you running away?" The show that is on the television during the beginning of the song is from September 24–26, 1979, Another World episodes 3864–3866. Kirk Laverty brings Iris Bancroft and her maid, Vivan Gorrow, to his lodge in the Adirondacks. Dobbs was the caretaker of the lodge. Laverty is the man talking to Dobbs, not Mr. Bancroft. Laverty was played by Charles Cioffi. Pink enters his hotel room with an American groupie, played by actress Jenny Wright. The groupie tries to be friendly to Pink (Wright performs nearly the same monologue as Trudy Young did on the album). Pink is oblivious to the groupie as he watches the film The Dam Busters on television. When the groupie tries to make contact with Pink saying "Are you feeling okay?", he explodes into a violent fit of rage and begins to destroy everything in his hotel room. Pink then chases the groupie around the room throwing various objects at her, cutting his own hand after he throws a television set out his window onto the street below, shouting "Take that, fuckers!", his only non-lyrical line spoken in the film. The scene where Pink hurts his hand while destroying the Venetian blinds was not faked. Bob Geldof did indeed cut his hand and he can be seen looking at it for a brief second, but director Alan Parker decided not to stop filming until the scene was over, despite Geldof's injury. In the next scene, the viewer can see a towel or shirt wrapped around Geldof's injured hand. Also, according to Parker's DVD commentary, Wright was informed that Geldof (as Pink) would yell at her and chase her during the scene; however the director, in order to get an authentic reaction from the actress, did not tell her that Geldof would also throw a wine bottle at her (albeit an easily breakable, prop-made bottle) at the start of his enraged outburst. Input: 1920x1080 23.976fps (source: BD) Output: 3840x2160 23.976fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #OneOfMyTurns #PinkFloyd #TheWall

Input: 1920x1080 60fps (source: ITsART streaming - screen recording) Output: 3840x2160 23.976fps All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #LiveAtPompeii #BrainDamage

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Input: 1920x1080 24fps (source: Early Years BD) Output: 3840x2160 48fps All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #GrantchesterMeadows #KQED

Input: 1920x1080 24fps (source: Early Years BD) Output: 3840x2160 48fps __________ Chapters: 00:00 - Set the Controls for the Heart of the Sun 11:54 - Cymbaline __________ All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #CinqGrandsSurLaDeux

Input: 720x576 25fps (source: DVD) Output: 3840x2160 50fps Broken China is the second and final solo album by Pink Floyd keyboard player Richard Wright. The album is a four-part concept album based on Wright's then-wife Mildred's battle with depression, and is very much like a classic Pink Floyd concept album in its structure and overall feel. Two songs, "Reaching for the Rail" and "Breakthrough" feature Sinéad O'Connor on lead vocals, with Wright singing elsewhere. The album was recorded in Wright's personal studio in France. Broken China was only Wright's second solo record after 1978's Wet Dream and the last to be released before his death in September 2008. Wright's Pink Floyd bandmate David Gilmour agreed to play on "Breakthrough." However, the approach for the song was changed later on, and Gilmour's performance was not used on the finished release. On the DVD David Gilmour in Concert, a guest appearance is made by Wright, who sings "Breakthrough" accompanied by David Gilmour and his band. All rights reserved to Pink Floyd, David Gilmour and Richard Wright. No copyright infringement intended. #Breakthrough #RichardWright #DavidGilmour

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Input: 1920x1080 24fps (source: Early Years BD) Output: 3840x2160 48fps 4K video edit and upscale by PinkFloyd4K. __________ Chapters: 00:00 - Atom Heart Mother 13:49 - Embryo 25:10 - Green is the Colour 29:31 - Careful with that Axe, Eugene 37:59 - Set the Controls for the Heart of the Sun __________ All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #PopDeuxStTropez

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Quadraphonic mix (24bit/96kHz) restored by jimfisheye. 4K video edit and upscale by PinkFloyd4K. Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps ---------------------- Chapters: 00:00 - Pompeii 03:35 - Echoes, Part 1 15:33 - Careful with That Axe, Eugene 22:22 - A Saucerful of Secrets 32:40 - One of These Days 38:36 - Set the Controls for the Heart of the Sun 49:07 - Mademoiselle Nobs 51:04 - Echoes, Part 2 ---------------------- All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #LiveAtPompeii #Pompeii Due to YouTube limitations, the quad mix will not be reproduced in 4 channels (2F2R). Audio and video are compressed by YouTube, so there's no lossless content here.

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #SetTheControlsForTheHeartOfTheSun #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #MademoiselleNobs #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #OneOfTheseDays #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video edit and upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #LiveAtPompeii #Pompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #ASaucerfulOfSecrets #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #CarefulWithThatAxeEugene #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #Echoes #PinkFloyd #LiveAtPompeii

Input: 720x540 24fps (source: DVD) Output: 3840x2160 48fps 1972 Mono Mix (24bit/96kHz) restored by jmr. 4K video upscale by PinkFloyd4K. All rights reserved to Pink Floyd. No copyright infringement intended. #Echoes #PinkFloyd #LiveAtPompeii

Input: 720x405 25fps Output: 3840x2160 50fps Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #Live8 #WishYouWereHere Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and in South Africa. There were ten concerts held on 2 July 2005, most of them simultaneously. The first to begin was held at the Makuhari Messe in Japan, with Rize being the first of all the Live 8 performers. During the opening of the Philadelphia concert outside the city's Museum of Art, actor Will Smith led the combined audiences of London, Philadelphia, Berlin, Rome, Paris and Barrie in a synchronised finger snap, meant to represent the death of a child every three seconds in Africa. Bob Geldof hosted the event at Hyde Park in London, England where he also performed "I Don't Like Mondays". Special guests appeared throughout the concerts. Then-Secretary-General of the United Nations Kofi Annan and Microsoft co-founder Bill Gates made speeches at the London show, while former South African President Nelson Mandela addressed the crowd in the Johannesburg venue. Guest presenters, ranging from sports stars to comedians, also introduced acts. Included in the all-star line-up were Pink Floyd, reunited with former frontman Roger Waters for the first time in over 24 years. With the death of keyboardist Richard Wright in 2008, Live 8 was the final time the band's "classic" lineup performed together. The band dedicated "Wish You Were Here" to their absent former member Syd Barrett, who later died in 2006.