PinkFloyd4K

Input: 720x405 25fps Output: 3840x2160 50fps Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #PinkFloyd #Live8 Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and in South Africa. There were ten concerts held on 2 July 2005, most of them simultaneously. The first to begin was held at the Makuhari Messe in Japan, with Rize being the first of all the Live 8 performers. During the opening of the Philadelphia concert outside the city's Museum of Art, actor Will Smith led the combined audiences of London, Philadelphia, Berlin, Rome, Paris and Barrie in a synchronised finger snap, meant to represent the death of a child every three seconds in Africa. Bob Geldof hosted the event at Hyde Park in London, England where he also performed "I Don't Like Mondays". Special guests appeared throughout the concerts. Then-Secretary-General of the United Nations Kofi Annan and Microsoft co-founder Bill Gates made speeches at the London show, while former South African President Nelson Mandela addressed the crowd in the Johannesburg venue. Guest presenters, ranging from sports stars to comedians, also introduced acts. Included in the all-star line-up were Pink Floyd, reunited with former frontman Roger Waters for the first time in over 24 years. With the death of keyboardist Richard Wright in 2008, Live 8 was the final time the band's "classic" lineup performed together. The band dedicated "Wish You Were Here" to their absent former member Syd Barrett, who later died in 2006. --------------- Setlist: 00:00 - Speak To Me 00:58 - Breathe (In The Air) 03:50 - Breathe (Reprise) 04:53 - Money 11:39 - Wish You Were Here 16:16 - Comfortably Numb ---------------

Input: 720x540 29.97fps Output: 3840x2160 59.94fps Recorded by fans and released on PULSE DVD. Edited and upscaled by PinkFloyd4K. Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #Marooned #PinkFloyd #PULSE #BootleggingTheBootleggers

Input: 720x540 29.97fps Output: 3840x2160 59.94fps Recorded by fans and released on PULSE DVD. Edited and upscaled by PinkFloyd4K. Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #PolesApart #PinkFloyd #PULSE #BootleggingTheBootleggers

Input: 720x540 29.97fps Output: 3840x2160 59.94fps Recorded by fans and released on PULSE DVD. Edited and upscaled by PinkFloyd4K. Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #OnTheTurningAway #PinkFloyd #PULSE #BootleggingTheBootleggers

Input: 720x540 29.97fps Output: 3840x2160 59.94fps Recorded by fans and released on PULSE DVD. Edited and upscaled by PinkFloyd4K. Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #WhatDoYouWantFromMe #PinkFloyd #PULSE #BootleggingTheBootleggers

Input: 720x540 29.97fps (source: DVD) Output: 2880x2160 59.94fps All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #AnotherBrickInTheWall #PinkFloyd #TheWall "Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera The Wall, written by bassist Roger Waters. "Part 2", a protest song against rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since "Point Me at the Sky" (1968). It sold over four million copies worldwide. It was nominated for a Grammy Award and was number 384 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album The Wall. In "Part 2", traumas involving his overprotective mother and abusive schoolteachers become bricks in the wall. Bassist Roger Waters wrote "Part 2" as a protest against rigid schooling, particularly boarding schools. "Another Brick in the Wall" appears in the film based on the album. In the "Part 2" sequence, children enter a school and march in unison through a meat grinder, becoming "putty-faced" clones, before rioting and burning down the school. The lyrics attracted controversy. The Inner London Education Authority described the song as "scandalous", and according to Renshaw, prime minister Margaret Thatcher "hated it". Renshaw said, "There was a political knee-jerk reaction to a song that had nothing to do with the education system. It was [Waters'] reflections on his life and how his schooling was part of that." The single, as well as the album The Wall, were banned in South Africa in 1980 after it was adopted by supporters of a nationwide school boycott protesting instituted racial inequities in education under apartheid.

Reupload of "Learning to Fly" due to copyright restrictions. Input: 720x540 29.97fps Output: 2880x2160 59.94fps Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #LearningToFly #PinkFloyd #PULSE

"Hey You" is a song by English rock band Pink Floyd, released on their 1979 double album The Wall. The Wall tells the story of Pink, an alienated young rock star who is retreating from society and isolating himself. In "Hey You", Pink realizes his mistake of shunning society and attempts to regain contact with the outside world. However, he cannot see or hear beyond the wall. Pink's call becomes more and more desperate as he begins to realize there is no escape. "Hey You" was shot for the film Pink Floyd—The Wall, but the sequence (also known as Reel 13) was ultimately not included. A workprint appears on the special edition DVD, in black and white. Most of the footage was used in other sequences (most notably "Another Brick in the Wall (Part III)"). The scene begins with Pink trying to claw out of his freshly completed wall. The scene then switches to Pink's concert-goers, all of them with a blank and vacant look on their faces. These are the people "Standing in the aisles with itchy feet and fading smiles" that Pink is trying to reach out to. Next is a shot of empty infirmary beds followed by a view of two empty chairs in a white room. A motionless Pink fades into the chair on the left, with his nude wife fading into the right chair a short time later. After turning her head to look at her unresponsive husband, she fades out of the scene, which shifts to a montage of rioting scenes, with people tipping over cars and throwing Molotov cocktails at riot police. After the montage, a hand is shown clawing at a window (the colour version of this is actually shown at the end of "The Trial") followed by a large group of maggots (the "worms" eating into Pink's brain). After a shot of Pink in an infirmary bed and his screaming wife superimposed over the image, the scene takes back to the riot, where a long line of police officers hold back a mob of rioters who have barricaded themselves behind a pile of desks and mattresses. The scene ends with Pink against his wall, having given up on finding a way out. "Hey You" was deleted as Waters and Parker felt the footage was too repetitive (eighty percent of the footage appears in montage sequences elsewhere). Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #HeyYou #PinkFloyd #TheWall

Input: 720x540 29.97fps Output: 2880x2160 59.94fps Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #RunLikeHell #PinkFloyd #PULSE

"Outside the Wall" (working titles "Bleeding Hearts", "The Buskers") is a song written by Roger Waters. It appeared on the 1979 Pink Floyd album, The Wall. This song is meant as a dénouement to the album. The story ends with "The Trial", in which a "judge" decrees, "Tear down the wall!". An explosion is heard to signify the wall's destruction, and "Outside the Wall" quietly begins. It is not explicitly stated what happens to Pink, the protagonist, after the dismantling of his psychological "wall". At the end, the song cuts off abruptly, as the man says "Isn't this where...", leading into the voice clip at the beginning of "In the Flesh?" that states "...we came in?", giving a sort of circularity to the album. Unlike the other songs on the album, this particular song offers little to the plot involving Pink as a whole. It notes that "the ones who really love you" are standing outside the wall and warns that, if you do not tear down your metaphorical wall, some might eventually give up on you and leave you to live out a lonely life instead of "banging [their] heart against some mad bugger's wall". This is what happens to the main character, Pink, during the course of the album. A longer and more elaborate version was recorded for the film which runs for a little more than four minutes and includes the National Philharmonic Orchestra, the Pontarddulais Male Choir and Waters singing the lyrics melodically, rather than reciting them as on the album version. Helping extend the song through the entire end credits is an instrumental bridge, composed of the chords and melody from "Southampton Dock", from The Wall's eventual successor, The Final Cut. This version was never released officially, but was later reused for the credits for The Wall – Live in Berlin. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #OutsideTheWall #PinkFloyd #TheWall

The first two songs are taken from The Pros and Cons of Hitch Hiking, a concept album Waters wrote simultaneously with The Wall, and later recorded solo; and The Final Cut, a 1983 Pink Floyd album. "Your Possible Pasts" was a song originally intended for The Wall that later appeared on The Final Cut. "Your Possible Pasts" (mislabeled as "Your Impossible Pasts" on a radio promo single) is a song from Pink Floyd's 1983 album The Final Cut. The song, like many others on The Final Cut, is a rewritten version of a song rejected for The Wall, originally to be used in Spare Bricks (an early version of The Final Cut that was an extension of The Wall.) Guitarist David Gilmour objected to the use of these previously rejected tracks, as he believed that they weren't good enough for release: [Roger Waters] wasn't right about wanting to put some duff tracks on The Final Cut. I said to Roger, "If these songs weren't good enough for The Wall, why are they good enough now?" Despite not appearing on The Wall album, the lyrics of the chorus did appear in the film for said album, Pink Floyd – The Wall, where the lyrics were read by the main character, Pink, in-between the songs "Waiting for the Worms" and "Stop". "Stop" is a song from the 1979 Pink Floyd album, The Wall. It was written by Roger Waters. Pink is tired of his life as a fascist dictator and the hallucination ends. Also tired of "The Wall", he accordingly devolves into his own mind and puts himself on trial. After "Waiting for the Worms", Pink yells out "stop", where we find him sitting at the bottom of a bathroom stall. He seems to be reading the lyrics from a sheet of paper where a few of the lines come from, at the time, unreleased material written by Waters. The line "Do you remember me / How we used to be / Do you think we should be closer?", comes from "Your Possible Pasts". Other lines come from "5:11AM (The Moment of Clarity)"). As Pink finishes the lyrics to "Stop", the security guard seen in the segment for "Young Lust" slowly pushes open the stall door, which leads to the animated intro of "The Trial". Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #Stop #PinkFloyd #TheWall #YourPossiblePasts #511AM #TheMomentOfClarity

"Run Like Hell" is a song by the English progressive rock band Pink Floyd, written by David Gilmour and Roger Waters. It appears on the album The Wall. In the film adaptation, Pink directs his jackbooted thugs to attack the "riff-raff" mentioned in the previous song, in which he ordered them to raid and destroy the homes of queers, Jews, and black people. One scene depicts an interracial couple cuddling in the back seat of a car when a group of neo-Nazis accost them, beating the boy and raping the girl. The Wall director Alan Parker hired the Tilbury Skins, a skinhead gang from Essex, for a scene in which Pink's "hammer guard" (in black, militaristic uniforms designed by the film's animator, Gerald Scarfe) smashes up a Pakistani diner; Parker recalled how the action "always seemed to continue long after I had yelled out 'Cut!'." The movie version of the song is considerably shorter than the album version, likely done for the sake of pacing. The second guitar refrain between the first and second verses was taken out, with the verse's last line, "You better run", leading directly to Gilmour's harmonized chant ("Run, run, run, run"), which now echoed back and forth between the left and right channels. Also, Richard Wright's synth solo was superimposed over the second verse, and the long instrumental break between the end of the synth solo and Waters' scream was removed. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #RunLikeHell #PinkFloyd #TheWall

"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, The Wall. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd. "In the Flesh?" introduces the story of Pink, a rock star. It begins with the opening of a rock concert. The lyrics inform us that despite his outward appearances, things are much different "behind these cold eyes" and that if the listener wants to know what's really going on with Pink, you'll "just have to claw your way through this disguise." The song also subtly indicates that Pink's father is killed in a war, with the sound effect of the dive-bomber. Finally, we hear a baby crying, indicating that Pink and his mother are left without a father and husband, respectively (this is expanded upon two songs later, in "Another Brick in the Wall, Part 1"). Later in the album, the reprise marks the first of a series of songs in which Pink, in a drug-induced hallucination, believes himself to be a fascist dictator, crowing over his faithful audience; this particular song is his hallucination that his concerts can be likened to a political rally. He begins exhorting his fans to show their devotion to him by throwing undesirables such as "queers", Jews, and "coons", "up against the wall". He punctuates the end of the song with "If I had my way I'd have all of you shot!". The incited crowd then chant Pink's name as the song segues into "Run Like Hell". The beginning of the film shows Pink sitting in a locked hotel room. A housekeeper knocks repeatedly, then uses her keys to let herself in. While this happens, Pink's mind is flashing back to a concert, in which a massive crowd of eager concertgoers manage to break down a chained door to the concert venue, and rush inside, trampling each other in the process. The film shows quick cuts of rioting fans and a violent police response, interspersed with scenes of soldiers being bombed in the fields of war. A German Ju 87 Stuka bombs a bunker, in which Pink's father is killed. The song is performed by Pink (Bob Geldof) in his dictator garb, with the set decorated like a Nazi rally, an insignia of two crossed hammers replacing the swastika. Geldof recorded his own vocals over the original Pink Floyd music track, replacing Waters' vocals. The film version also uses a mix in which the song's intro was longer, with the E minor power chord riff, and a short David Gilmour solo, repeating twice. This was edited out of the record due to time constraints, but the song has been performed full length in most live performances. Later in the movie the reprise is used in a similar way as in the album, picking up shortly after Pink's transformation into the Dictator. The song is one of the most radically changed among movie versions, having been converted to an orchestral piece. The Dictator questions the loyalty of the fans, while setting his dogs against the "queers" and "coons" he singles out. As the song ends, the crowd's chant of "Pink Floyd!" is replaced with "Hammer", invoking the film motif of hammers. In addition, both Pink and the crowd display the "Hammer" salute, arms crossed in front of the chest at the wrists like a pair of crossed hammers. In addition, the "Crossed Hammer" logo can be seen everywhere. The song immediately segues into "Run Like Hell". Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #InTheFlesh #PinkFloyd #TheWall

Input: 720x540 29.97fps Output: 2880x2160 59.94fps Additional camera angles used in this video were taken from "Later Years" version. Like, comment, share, subscribe if you like our channel! All rights reserved to Pink Floyd. No copyright infringement intended. #ComfortablyNumb #PinkFloyd #PULSE

"Comfortably Numb" is a song on Pink Floyd's eleventh album, The Wall (1979). It was released as a single in 1980 with "Hey You" as the B-side. The music was composed by guitarist David Gilmour, and lyrics were written by bassist Roger Waters. The Wall is a concept album about an embittered and alienated rock star named Pink. In "Comfortably Numb," Pink is medicated by a doctor so he can perform for a show. Guitarist David Gilmour recorded a wordless demo, and bassist Roger Waters wrote lyrics, inspired by an experience of being injected with tranquilizers for stomach cramps before a 1977 performance in Philadelphia on the In the Flesh Tour. "That was the longest two hours of my life," Waters said, "trying to do a show when you can hardly lift your arm." The song's working title was "The Doctor". For the chorus, Gilmour and session player Lee Ritenour used a pair of acoustic guitars strung similarly to Nashville tuning, but with the low E string replaced with a high E string, two octaves higher than standard tuning. This tuning was also used for the arpeggios in "Hey You". Waters and Gilmour disagreed about how to record the song; Gilmour preferred a more grungy style for the verses. Gilmour said: "We argued over 'Comfortably Numb' like mad. Really had a big fight, went on for ages." In the end, Waters' preferred opening and Gilmour's final solo were used.[citation needed] To write the two guitar solos, Gilmour pieced together elements from several other solos he had been working on, marking his preferred segments for the final take. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #ComfortablyNumb #PinkFloyd #TheWall

"Vera" is a song by Pink Floyd which appears on their 1979 album, The Wall. The title is a reference to Vera Lynn, a British singer who came to prominence during World War II with her popular song "We'll Meet Again". The reference is ironic, as Roger Waters (and his fictional character "Pink") would not meet his father who died in the war. The song's intro features a collage of superimposed audio excerpts from the 1969 film Battle of Britain. Among the used clips are a piece of dialogue ("Where the hell are you, Simon?"), a BBC broadcast and battle sound effects. "Bring the Boys Back Home" is a song from the Pink Floyd album, The Wall. The song was released as a B-side on the single, "When the Tigers Broke Free". According to songwriter Roger Waters, "Bring the Boys Back Home" is the central, unifying song on The Wall: ... it's partly about not letting people go off and be killed in wars, but it's partly about not allowing rock and roll, or making cars, or selling soap, or getting involved in biological research, or anything that anybody might do ... not letting that become such an important and 'jolly boy's game' that it becomes more important than friends, wives, children, or other people. — Roger Waters, in Interview by Tommy Vance, broadcast 30 November 1979, BBC Radio One In the film, the song is sung by a large choir, without Waters' lead vocal. It is also expanded, with an extended vamp on the subdominant before repetition of the full four-line lyric. "Bring the Boys Back Home" is about not letting war, or careers, overshadow family relationships or leave children neglected. This is symbolised in the film, in which the protagonist, Pink, is seen as a young boy at a train station. The station is filled with soldiers returning from war, their loved ones happy to greet them. But though he wanders around in vain, there is no one for Pink to embrace, as his father did not make it home alive. The happy crowd sings an exultant tune, "Bring the Boys Back Home", but the song ends abruptly on a minor chord as Pink suddenly realises he is alone. The crowd of reunited families then vanish. As the last notes die away, we see his embittered and alienated adulthood. Memories of events that drove Pink to isolation begin to recur in a loop: The teacher from "Another Brick in the Wall", the operator from "Young Lust", and the groupie from "One of My Turns", Pink's manager knocking and yelling out, "Time to go!" (to play a concert) and insane laughter are also mixed into the closing seconds, concluding with the ominous voice from "Is There Anybody Out There?", reverberating slowly into silence, and segueing into "Comfortably Numb" as Pink’s manager bursts through the door finding Pink unconscious from an overdose. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #Vera #PinkFloyd #TheWall #BringTheBoysBackHome

"Nobody Home" is a song from the Pink Floyd album The Wall. "Nobody Home" was written late into the development of The Wall after an argument between the band and Roger Waters. David Gilmour said that the song "came along when we were well into the thing [The Wall] and he’d [Waters] gone off in a sulk the night before and came in the next day with something fantastic." In the song, the character Pink describes his lonely life of isolation behind his self-created mental wall. He has no one to talk to, and all he has are his possessions. The song describes what Roger Waters says he experienced during the band's 1977 tour, the band's first major stadium tour. Additionally, the song contains some references to founding Pink Floyd member, Syd Barrett. The song was written after an argument between Gilmour, Waters, and co-producer Bob Ezrin during production of The Wall in which Gilmour and Ezrin challenged Waters to come up with one more song for the album. Waters then wrote "Nobody Home" and returned to the studio two days later to present it to the band. It was the last song written for The Wall. On the 30th anniversary of The Wall episode of the US radio show In the Studio with Redbeard, Gilmour revealed that "Nobody Home" was one of his favorite songs from the album. A television playing in the background is frequently heard, including the line, "Surprise! Surprise, Surprise!" from Gomer Pyle, U.S.M.C. This recalls the line: I got thirteen channels of shit on the TV to choose from Much of the song describes Syd Barrett's fragile mental state during 1967. In the documentary "Behind The Wall", Gilmour states that it describes the state of mind of many rockstars while on tour. However, the lyrics: I got nicotine stains on my fingers I got a silver spoon on a chain Got a grand piano to prop up my mortal remains are said to have been written specifically about Floyd's pianist Richard Wright, who was allegedly struggling with cocaine addiction at the time. The song tails off quietly with an abortive final verse, starting off in the same manner as the previous verses but only two lines long: I got a pair of Gohil's boots And I got fading roots Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #NobodyHome #PinkFloyd #TheWall

"Is There Anybody Out There?" is a song from the Pink Floyd album, The Wall. At this point in the plot, the bitter and alienated Pink is attempting to reach anybody outside of his self-built wall. The repeated question "Is there anybody out there?" suggests that no response is heard. On the other hand, Comfortably Numb, some songs later in the album, starts with the sentence "Hello, Is there anybody in there?" addressed to Pink. In the film, during the ominous opening to the song, Pink is standing in front of the completed wall, and throws himself against it several times as if trying to escape. Then, during the acoustic guitar section, it cuts to Pink laying out all his possessions on the floor of the hotel room in neat piles. At the end of the song, it cuts to the bathroom where Pink shaves off his eyebrows and body hair, and tries to cut off his nipples with the razor, severing them. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #IsThereAnybodyOutThere #PinkFloyd #TheWall

"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera The Wall, written by bassist Roger Waters. Following a violent breakdown in "Part 3", Pink dismisses everyone he knows as "just bricks in the wall". "Goodbye Cruel World" is a song by Pink Floyd. It appears on their 1979 double album, The Wall. As with all tracks on The Wall, "Goodbye Cruel World" relates to the listener a segment of Pink's (the album's protagonist) story. More specifically, this song expresses Pink's recognition of the completion of his mental wall, and acknowledgement of his thorough isolation from society. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #AnotherBrickInTheWall #PinkFloyd #TheWall #GoodbyeCruelWorld

"One of My Turns" is a song by Pink Floyd, appearing on their 1979 album The Wall. The song was also released as a B-side on the single of "Another Brick in the Wall (Part 2)". The Wall is the story of Pink, an embittered and alienated rock star, whose sanity is failing as he isolates himself behind a psychological barrier. "One of My Turns" finds Pink inviting a groupie into his room after learning of his wife's affair. While the groupie tries to get his attention, he ignores her, and muses on his failed relationship with his wife. A TV can be heard in the background, the dialogue mixed in with the groupie's attempts at conversation. While the hapless groupie continues trying to get his attention, Pink feels "Cold as a razor blade / Tight as a tourniquet / Dry as a funeral drum," before exploding into a fit of violence, destroying his room, and frightening the young woman away. When his hotel room is finally in complete shambles, and the groupie is gone, Pink feels something more: Self-pity, and a lack of empathy for others, as he screams "Why are you running away?" The show that is on the television during the beginning of the song is from September 24–26, 1979, Another World episodes 3864–3866. Kirk Laverty brings Iris Bancroft and her maid, Vivan Gorrow, to his lodge in the Adirondacks. Dobbs was the caretaker of the lodge. Laverty is the man talking to Dobbs, not Mr. Bancroft. Laverty was played by Charles Cioffi. Pink enters his hotel room with an American groupie, played by actress Jenny Wright. The groupie tries to be friendly to Pink (Wright performs nearly the same monologue as Trudy Young did on the album). Pink is oblivious to the groupie as he watches the film The Dam Busters on television. When the groupie tries to make contact with Pink saying "Are you feeling okay?", he explodes into a violent fit of rage and begins to destroy everything in his hotel room. Pink then chases the groupie around the room throwing various objects at her, cutting his own hand after he throws a television set out his window onto the street below, shouting "Take that, fuckers!", his only non-lyrical line spoken in the film. The scene where Pink hurts his hand while destroying the Venetian blinds was not faked. Bob Geldof did indeed cut his hand and he can be seen looking at it for a brief second, but director Alan Parker decided not to stop filming until the scene was over, despite Geldof's injury. In the next scene, the viewer can see a towel or shirt wrapped around Geldof's injured hand. Also, according to Parker's DVD commentary, Wright was informed that Geldof (as Pink) would yell at her and chase her during the scene; however the director, in order to get an authentic reaction from the actress, did not tell her that Geldof would also throw a wine bottle at her (albeit an easily breakable, prop-made bottle) at the start of his enraged outburst. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #OneOfMyTurns #PinkFloyd #TheWall

"Young Lust" is a song by Pink Floyd. It appeared on The Wall album in 1979. The Wall tells the story of Pink, an embittered and alienated rock star. At this point in the album's narrative, Pink has achieved wealth and fame, and is usually away from home, due to the demands of his career as a touring performer. He is having casual sex with groupies to relieve the tedium of the road, and is living a separate life from his wife. The end of the song is a segment of dialogue between Pink and a telephone operator, as Pink twice attempts to place a transatlantic collect call to his wife. A man answers, and when the operator asks if he will accept the charges, the man simply hangs up. This is how Pink learns that his wife is cheating on him. ("See, he keeps hanging up," says the operator. "And it's a man answering!") With this betrayal, his mental breakdown accelerates. The dialogue with the operator was the result of an arrangement co-producer James Guthrie made with a neighbour in London, Chris Fitzmorris, while the album was being recorded in Los Angeles. He wanted realism, for the operator to actually believe they had caught his wife having an affair, and so didn't inform her she was being recorded. The operator heard in the recording is the second operator they tried the routine with, after the first operator's reaction was deemed unsatisfactory. In the film, the scene with the attempted phone call, in which Pink learns his wife is cheating on him, occurs at the very beginning of the song "What Shall We Do Now", which is the extended version of "Empty Spaces", before the "Young Lust" song rather than at the end of the "Young Lust" song. The implications of the song are therefore slightly different. On the album, he is already unfaithful to his wife while on tour, making him a hypocrite when he is appalled at her own unfaithfulness. In the film, he is only seen with a groupie after he learns of his wife's affair, which shows the character in a more sympathetic light. In the film, several groupies (including a young Joanne Whalley, in her film debut) seduce security guards and roadies to get backstage passes, where one of them (Jenny Wright) ends up going with Pink (Bob Geldof) to his room. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #YoungLust #PinkFloyd #TheWall

"Mother" is a song by Pink Floyd. It appears on The Wall album, released in 1979. The Wall tells the story of Pink, an embittered and alienated rock star. As told through the song "Mother", part of Pink's sense of alienation comes from being raised by an overprotective single mother, who lost her husband, Pink's father, in World War II. The song narrates a conversation by Pink (voiced by Waters) and his mother (voiced by Gilmour). The listener learns of the overprotectiveness of Pink's mother, who is helping Pink build his wall to try to protect him from the outside world, evidenced by the line "Of course Momma's gonna help build the wall," spoken by Pink's mother. She insists that Pink stay by her side even after he grows up, and cannot stand it when Pink eventually grows older and falls in love. For the film, the song was re-recorded completely with the exception of David Gilmour's guitar solo. One line of the lyrics, "Is it just a waste of time", became "Mother, am I really dying", as the original LP lyrics read. This change ties in with a brief subplot in the film where Pink contracts a fever after caring for a sick rat that died from it. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #Mother #PinkFloyd #TheWall

"The Happiest Days of Our Lives" is a song by Pink Floyd. It appeared on The Wall album in 1979. "The Happiest Days of Our Lives" concerns Pink's youth, attending a school run by strict and often violent teachers who treat the pupils with contempt. According to Waters, the lyrics were a reflection of his own negative experience in school. He described this in an interview with Tommy Vance of BBC Radio One. Pink and his two friends go down to a railway track to lay bullets on the rails and watch them explode under the passing train. Pink, putting himself up against the tunnel wall, sees that the train cars are packed with faceless people. He sees his teacher at the other end of the tunnel yelling at him to stand still. In the next scene, in Pink's school, the teacher discovers Pink writing a poem (which contains lyrics from "Money") and, as punishment, ridicules Pink by reading his poem out loud to the entire class then slaps his left hand with a ruler. The following scene shows the Schoolmaster in his own home, being forced to eat a piece of tough meat during dinner at his wife's silent command. To relieve himself of his humiliation, the teacher spanks a child with a belt the next day. "Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera The Wall, written by bassist Roger Waters. "Part 2", a protest song against rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since "Point Me at the Sky" (1968). It sold over four million copies worldwide. It was nominated for a Grammy Award and was number 384 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album The Wall. In "Part 2", traumas involving his overprotective mother and abusive schoolteachers become bricks in the wall. Bassist Roger Waters wrote "Part 2" as a protest against rigid schooling, particularly boarding schools. "Another Brick in the Wall" appears in the film based on the album. In the "Part 2" sequence, children enter a school and march in unison through a meat grinder, becoming "putty-faced" clones, before rioting and burning down the school. The lyrics attracted controversy. The Inner London Education Authority described the song as "scandalous", and according to Renshaw, prime minister Margaret Thatcher "hated it". Renshaw said, "There was a political knee-jerk reaction to a song that had nothing to do with the education system. It was [Waters'] reflections on his life and how his schooling was part of that." The single, as well as the album The Wall, were banned in South Africa in 1980 after it was adopted by supporters of a nationwide school boycott protesting instituted racial inequities in education under apartheid. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #AnotherBrickInTheWall #PinkFloyd #TheWall #TheHappiestDaysOfOurLives

"When the Tigers Broke Free" is a Pink Floyd song by Roger Waters, describing the death of his father, Eric Fletcher Waters, in the Battle of Anzio during the Italian Campaign of the Second World War. The song was originally titled "Anzio, 1944". Its working title was "When the Tigers Break Through" and was written at the same time as The Wall, hence its copyright date of 1979, and was originally intended to be part of that album, but was rejected by the other members of the band on the grounds that it was too personal. It was subsequently recorded and included in the movie version of The Wall and first released as a separate track on a 7" single on 26 July 1982 (running time 3:00), before appearing in The Wall film. The second verse of the song (which makes up the reprise later in The Wall film), describes how Waters found a letter of condolence from the British government, described as a note from George VI in the form of a gold leaf scroll which "His Majesty signed / with his own rubber stamp." Waters' resentment then explodes in the final line "And that's how the High Command took my daddy from me." In the second verse (after "Another Brick in the Wall Part 1"), it shows Pink finding his father's uniform, the letter of condolence, straight razor, and bullets. He then puts on the uniform, where it cuts between his father doing the same. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #WhenTheTigersBrokeFree #PinkFloyd #TheWall

"The Thin Ice" is a song by Pink Floyd, released on The Wall in 1979. The Wall is the story of Pink, who grows up to become an alienated and embittered rock star, with a failing marriage and feelings of megalomania. "The Thin Ice" can be seen as the introduction to his story, since the previous song, the album's opening track "In The Flesh?" is chronologically placed later in the album's narrative, and then the story is begun via flashback. "The Thin Ice" introduces Pink as a baby and young child, and while the lyrics assure the listener that "Mama loves her baby, and Daddy loves you, too", it warns that "The sea may look warm... the sky may look blue", but "Don't be surprised when a crack in the ice/Appears under your feet". The film shows hundreds of soldiers in the war, either wounded or dead, then cuts to Pink floating in his hotel pool. As shown later in the film (in the segment for "One of My Turns"), Pink has cut his hand, and the amount of blood in the water is exaggerated, until he appears to be floating in a pool of blood. The film version has an extended piano intro that plays before Gilmour's vocal. "Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera The Wall, written by bassist Roger Waters. During "Part 1", the protagonist, Pink, begins building a metaphorical wall around himself following the death of his father. Input: 720x480 29.97fps (source: DVD) Output: 3840x2160 59.94fps The Wall full movie playlist: https://www.youtube.com/playlist?list=PLyGHs2yXwu1SWIXC6TLHT4a-2rdr9Un0f All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended. #TheThinIce #PinkFloyd #TheWall #AnotherBrickInTheWall